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引用次数: 0
摘要
这篇文章将波萨诺瓦作为一种存在主义和宗教层面的辞职经历，主要关注汤姆·乔宾和维尼修斯·德·莫拉埃斯的歌曲《不再蓝调》。意见和证词被列出，以证明这首歌的中心地位，为巴萨诺瓦和巴西流行音乐。Chega de saudade催化了渴望，就像幸福的地平线。讨论了博萨诺维斯塔运动的构成和主要特征，以及乔奥吉尔伯托的专辑chega de saudade。歌曲的音乐元素(和声、节奏、旋律、音色、诠释、歌词等)在它们的意义维度上被视为一种美学-宗教体验。最后，探讨了博萨诺维斯塔运动在国内和国际上的影响。
The article approaches Bossa Nova as an experience of resignification at the existentialand religious level, focusing primarily on the song Chega de saudade (No more blues),by Tom Jobim and Vinicius de Moraes. Opinions and testimonies are listed, in orderto attest to the centrality of this song for Bossa Nova and Brazilian Popular Music.Chega de saudade catalyzes aspirations, like a horizon of happiness. The constitutionand main features of the Bossanovista movement are discussed, as well as the albumChega de saudade, by João Gilberto. The musical elements of the song (harmony,rhythm, melody, timbre, interpretation, lyrics, etc.) are treated in their dimension ofmeaning, as an aesthetic-religious experience. Finally, the national and internationalrepercussion of the Bossanovista movement is approached.
期刊介绍：
Numen publishes papers representing the most recent scholarship in all areas of the history of religions. It covers a diversity of geographical regions and religions of the past as well as of the present. The approach of the journal to the study of religion is strictly non-confessional. While the emphasis lies on empirical, source-based research, typical contributions also address issues that have a wider historical or comparative significance for the advancement of the discipline. Numen also publishes papers that discuss important theoretical innovations in the study of religion and reflective studies on the history of the discipline.
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