数学表达的艺术与技巧

IF 0.9 3区 哲学 Q2 HISTORY & PHILOSOPHY OF SCIENCE Osiris Pub Date : 2023-01-01 DOI:10.1086/725130
Clare S. Kim
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引用次数: 0

摘要

本文考察了艺术家和设计师对美国法律文化的参与,以及其对代码驱动的创作作为知识产权的地位的声明。它聚焦于计算折纸设计师和概念艺术家之间的版权纠纷,描述了将数学和计算折纸重塑为一种创造性艺术形式而非通常未被赋予作者归属的传统工艺的历史环境。在展示艺术家的实践和版权法律纠纷如何利用历史和当代对代码和工艺的理解来描绘艺术时,我认为他们对数学和计算折纸的解释取决于重申折纸是一门亚洲学科。因此,这篇文章提醒人们不要像过去那样依赖代码和工艺作为分析。它鼓励批判性地参与此类分析所依据的标量背景、种族和历史突发事件。
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The Art and Craft of Mathematical Expression
This article examines artists’ and designers’ engagements with US legal culture and its pronouncements on the status of code-driven creations as intellectual property. Focusing on a copyright dispute between a computational origami designer and a conceptual artist, it describes the historical circumstances that recast mathematical and computational origami as a creative art form rather than a traditional craft not usually given authorial attribution. Showing how artists’ practices and legal disputes over copyright employed historic and contemporary understandings of code and craft to delineate art, I argue that their resulting interpretations of mathematical and computational origami depended upon reaffirming origami as an Asian subject. Consequently, this article cautions against an ahistorical reliance on code and craft as analytics. It encourages critical engagement with the scalar contexts and racial and historical contingencies from which such analytics operate.
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来源期刊
Osiris
Osiris 管理科学-科学史与科学哲学
CiteScore
1.10
自引率
0.00%
发文量
18
审稿时长
>12 weeks
期刊介绍: Founded in 1936 by George Sarton, and relaunched by the History of Science Society in 1985, Osiris is an annual thematic journal that highlights research on significant themes in the history of science. Recent volumes have included Scientific Masculinities, History of Science and the Emotions, and Data Histories.
期刊最新文献
Front and Back Matter Notes on the Contributors Acknowledgments Statecraft by Algorithms Introduction
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