{"title":"安帕罗davila的《日记片段》中的美丽、崇高和险恶","authors":"C. Espinosa","doi":"10.15174/rv.vi26.498","DOIUrl":null,"url":null,"abstract":"The work of Mexican writer Amparo Davila (b. 1928) has been read and studied intermittently over the past sixty years. Thanks to the publication of her Cuentos reunidos (2009) by Fondo de Cultura Economica, the author from the State of Zacatecas, has obtained new readers, as national and international critics have once again taken an interest in her narrative. However, little has been done to explore the link between her stories and philosophy. This work proposes to establish a dialogue between \"Fragment of a Diary\", one of the tales included in Tiempo destrozado (1959), and the philosophy of Immanuel Kant, Longino and Eugenio Trias about the beautiful, the sublime, and the sinister, also considering Sigmund Freud's contributions about the uncanny.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Lo bello, lo sublime y lo siniestro en “Fragmento de un diario”, de Amparo Dávila\",\"authors\":\"C. Espinosa\",\"doi\":\"10.15174/rv.vi26.498\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The work of Mexican writer Amparo Davila (b. 1928) has been read and studied intermittently over the past sixty years. Thanks to the publication of her Cuentos reunidos (2009) by Fondo de Cultura Economica, the author from the State of Zacatecas, has obtained new readers, as national and international critics have once again taken an interest in her narrative. However, little has been done to explore the link between her stories and philosophy. This work proposes to establish a dialogue between \\\"Fragment of a Diary\\\", one of the tales included in Tiempo destrozado (1959), and the philosophy of Immanuel Kant, Longino and Eugenio Trias about the beautiful, the sublime, and the sinister, also considering Sigmund Freud's contributions about the uncanny.\",\"PeriodicalId\":40683,\"journal\":{\"name\":\"Valenciana\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-06-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Valenciana\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15174/rv.vi26.498\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Valenciana","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15174/rv.vi26.498","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
摘要
墨西哥作家安帕罗·达维拉(生于1928年)的作品在过去的六十年里被断断续续地阅读和研究。由于来自萨卡特卡斯州的作者Fondo de Cultura Economica出版了《重聚》(2009),她获得了新的读者,因为国内和国际评论家再次对她的叙述感兴趣。然而,关于她的故事和哲学之间的联系,人们几乎没有做什么探索。这部作品提出了在《蒂恩波·德斯特罗扎多》(1959)中的故事之一《日记片段》与伊曼纽尔·康德、朗吉诺和尤金尼奥·特里亚斯关于美丽、崇高和邪恶的哲学之间建立对话,同时也考虑到西格蒙德·弗洛伊德对神秘的贡献。
Lo bello, lo sublime y lo siniestro en “Fragmento de un diario”, de Amparo Dávila
The work of Mexican writer Amparo Davila (b. 1928) has been read and studied intermittently over the past sixty years. Thanks to the publication of her Cuentos reunidos (2009) by Fondo de Cultura Economica, the author from the State of Zacatecas, has obtained new readers, as national and international critics have once again taken an interest in her narrative. However, little has been done to explore the link between her stories and philosophy. This work proposes to establish a dialogue between "Fragment of a Diary", one of the tales included in Tiempo destrozado (1959), and the philosophy of Immanuel Kant, Longino and Eugenio Trias about the beautiful, the sublime, and the sinister, also considering Sigmund Freud's contributions about the uncanny.