{"title":"詹姆斯·卡瓦纳·墨菲为西班牙阿拉伯古物准备的一份未知的初步图纸和额外插图收藏,雅典Gennadius图书馆","authors":"L. Mulvin","doi":"10.1163/22118993_03501P014","DOIUrl":null,"url":null,"abstract":"\n In the Gennadius Library of the American School of Classical Studies at Athens, Greece, is a heretofore unknown large-format volume that contains many extra illustrations, original drawings, and proofs of plates for The Arabian Antiquities of Spain by James Cavanah Murphy (1760–1814). Based on research conducted between 1802 and 1809, The Arabian Antiquities of Spain features engravings of major monuments of Hispano-Islamic architecture, including the Alhambra, the Great Mosque at Cordoba, and the Generalife at Granada; the work was published posthumously in 1816. Since the Gennadius volume also includes sketches of Islamic monuments from Malaga, Seville, and Xeres, it appears that Murphy originally intended to publish a complete survey of Hispano-Islamic monuments in southern Spain. In the Gennadius volume, grangerized drawings are placed opposite published engravings for comparative purposes; the drawings include notes written by Murphy to the engravers, and several are hand-tinted, which reveal Murphy’s interest in polychromy. This article presents the newly discovered drawings in the Gennadius volume, which adds to our understanding of the monuments depicted in the published plates of Arabian Antiquities, and serves to position Murphy’s pioneering efforts in the context of architectural scholarship, chromolithography, and the book trade in the early nineteenth century.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2018-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"An Unknown Collection of Preliminary Drawings and Extra Illustrations Prepared for The Arabian Antiquities of Spain by James Cavanah Murphy in the Gennadius Library, Athens\",\"authors\":\"L. Mulvin\",\"doi\":\"10.1163/22118993_03501P014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n In the Gennadius Library of the American School of Classical Studies at Athens, Greece, is a heretofore unknown large-format volume that contains many extra illustrations, original drawings, and proofs of plates for The Arabian Antiquities of Spain by James Cavanah Murphy (1760–1814). Based on research conducted between 1802 and 1809, The Arabian Antiquities of Spain features engravings of major monuments of Hispano-Islamic architecture, including the Alhambra, the Great Mosque at Cordoba, and the Generalife at Granada; the work was published posthumously in 1816. Since the Gennadius volume also includes sketches of Islamic monuments from Malaga, Seville, and Xeres, it appears that Murphy originally intended to publish a complete survey of Hispano-Islamic monuments in southern Spain. In the Gennadius volume, grangerized drawings are placed opposite published engravings for comparative purposes; the drawings include notes written by Murphy to the engravers, and several are hand-tinted, which reveal Murphy’s interest in polychromy. This article presents the newly discovered drawings in the Gennadius volume, which adds to our understanding of the monuments depicted in the published plates of Arabian Antiquities, and serves to position Murphy’s pioneering efforts in the context of architectural scholarship, chromolithography, and the book trade in the early nineteenth century.\",\"PeriodicalId\":39506,\"journal\":{\"name\":\"Muqarnas\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2018-10-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Muqarnas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/22118993_03501P014\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muqarnas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22118993_03501P014","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 3
摘要
在希腊雅典美国古典研究学院的Gennadius图书馆中,有一本迄今为止不为人知的大容量书籍,其中包含詹姆斯·卡瓦纳·墨菲(1760–1814)为《西班牙阿拉伯文物》(the Arabian Antiques of Spain)所作的许多额外插图、原始图纸和图版校样。根据1802年至1809年间进行的研究,西班牙的阿拉伯文物以西班牙伊斯兰建筑的主要纪念碑为特色,包括阿尔罕布拉、科尔多瓦大清真寺和格拉纳达大教堂;这部作品于1816年在死后出版。由于Gennadius卷还包括马拉加、塞维利亚和Xeres的伊斯兰纪念碑草图,Murphy似乎最初打算出版一份关于西班牙南部Hispano伊斯兰纪念碑的完整调查报告。在Gennadius卷中,出于比较目的,将grangerized绘画与已出版的版画相对放置;这些画包括墨菲写给雕刻师的笔记,还有几幅是手绘的,这表明墨菲对多色的兴趣。这篇文章介绍了Gennadius卷中新发现的绘画,这增加了我们对已出版的阿拉伯文物图版中描绘的纪念碑的理解,并有助于定位Murphy在19世纪初建筑学术、彩色印刷术和图书贸易方面的开拓性努力。
An Unknown Collection of Preliminary Drawings and Extra Illustrations Prepared for The Arabian Antiquities of Spain by James Cavanah Murphy in the Gennadius Library, Athens
In the Gennadius Library of the American School of Classical Studies at Athens, Greece, is a heretofore unknown large-format volume that contains many extra illustrations, original drawings, and proofs of plates for The Arabian Antiquities of Spain by James Cavanah Murphy (1760–1814). Based on research conducted between 1802 and 1809, The Arabian Antiquities of Spain features engravings of major monuments of Hispano-Islamic architecture, including the Alhambra, the Great Mosque at Cordoba, and the Generalife at Granada; the work was published posthumously in 1816. Since the Gennadius volume also includes sketches of Islamic monuments from Malaga, Seville, and Xeres, it appears that Murphy originally intended to publish a complete survey of Hispano-Islamic monuments in southern Spain. In the Gennadius volume, grangerized drawings are placed opposite published engravings for comparative purposes; the drawings include notes written by Murphy to the engravers, and several are hand-tinted, which reveal Murphy’s interest in polychromy. This article presents the newly discovered drawings in the Gennadius volume, which adds to our understanding of the monuments depicted in the published plates of Arabian Antiquities, and serves to position Murphy’s pioneering efforts in the context of architectural scholarship, chromolithography, and the book trade in the early nineteenth century.