19世纪和20世纪南亚版画文化的形成:超越学科界限

IF 0.3 0 LANGUAGE & LINGUISTICS Philological Encounters Pub Date : 2021-07-23 DOI:10.1163/24519197-bja10019
Cristina Pecchia, J. Buss, A. A. Chudal
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引用次数: 3

摘要

对南亚印刷技术历史的研究是一项多学科的事业,涉及对该地区文化和语言多样性的仔细考虑,以及印刷技术被大规模采用的历史时期,即殖民时期。在这里,我们将重点放在印刷与长期存在的口头和手稿文化中记录和使用文本的模式之间的复杂关系结构上,并指出将基于欧洲文化史的解释模型应用于南亚印刷历史的局限性。此外,我们还介绍了有关吠陀、林布、尼泊尔、纽瓦里和泰米尔文本传统的印刷文化形成阶段的各个方面,这些都在本期特刊的文章中进行了研究。这种多层次的视角有助于理解印刷书籍的社会和文化动态,与之相关的(新)意义,以及文学和宗教传统中霸权形态的形成。
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Print Cultures in the Making in 19th- and 20th-Century South Asia: Beyond Disciplinary Boundaries
The study of the history of print technology in South Asia is a multidisciplinary enterprise which involves attentive consideration of the cultural and linguistic diversity of the region, as well as of the historical time in which print technology was massively adopted, namely the colonial period. Here, we focus on the complex fabric of relationships between print and modes of recording and using texts in long present oral and manuscript cultures, also pointing out the limits of applying interpretative models based on the cultural history of Europe to the histories of print in South Asia. Furthermore, we present aspects of the formative stage of print cultures concerning Vedic, Limbu, Nepali, Newari, and Tamil textual traditions—which are studied in the essays of this special issue. This multi-layered perspective helps making sense of social and cultural dynamics concerning the uses of printed books, the (new) meanings associated with them, and the formation of hegemonic configurations within literary and religious traditions.
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来源期刊
Philological Encounters
Philological Encounters Arts and Humanities-Language and Linguistics
CiteScore
0.70
自引率
0.00%
发文量
13
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