“我希望我能给你这种感觉”:黑人数字公地与“角落”的修辞

IF 1.1 2区 文学 Q3 COMMUNICATION Rhetoric Society Quarterly Pub Date : 2023-05-27 DOI:10.1080/02773945.2023.2200704
C. Steele, A. Hardy
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引用次数: 0

摘要

美国黑人的独特经历造就了一个长期被滥用、商品化和盗窃黑人想象力和黑人文化的物质和文化空间。这些空间,在历史上也使私有化和所有权的概念复杂化,今天在网上复制。在这篇文章中,我们提出角落作为一个镜头,通过它来询问黑人网络是否有可能产生一个修辞上的数字公地,进一步,“公地”的理论和实践是否充分地为美国黑人的特殊历史现实创造了空间。为此,我们将重点放在三个社交媒体平台上,其中黑色数字实践遇到了角落的可能性:TikTok, Twitter和黑色星球。这些数字角落提供了以黑人线上和线下经历为中心的经验,并指出了我们数字未来的可能性和局限性。最后,我们认为这个角落与公共空间中白人至上的霸权模式相矛盾,同时也突出了中产阶级化、商品化和盗窃的残酷现实,这些现实强化了对黑人社区的剥削。
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“I Wish I Could Give You This Feeling”: Black Digital Commons and the Rhetoric of “The Corner”
ABSTRACT The unique experience of Black Americans in the United States produces a physical and cultural space with a long history of misuse, commodification, and theft of the Black imagination and Black culture. These spaces, which also historically complicate notions of privatization and ownership, are replicated online today. In this essay, we propose the corner as a lens through which to interrogate whether Black networks online potentially produce a rhetorical digital commons and, further, whether the theory and practice of “the commons” adequately make space for the particular historical reality of Black America. To do so, we focus on three social media platforms wherein Black digital praxis meets the possibility of the corner: TikTok, Twitter, and Black Planet. These digital corners provide lessons that center the Black experience on- and offline, and point toward possibilities and limitations in our digital future. Ultimately we argue that the corner contradicts hegemonic modes of white supremacy in public spaces while also spotlighting the brutal realities of gentrification, commodification, and theft that fortify the exploitation of Black communities.
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来源期刊
CiteScore
1.00
自引率
14.30%
发文量
40
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