布河中游地区BII期锥虫聚落的兽形图象

IF 0.3 4区 历史学 N/A ARCHAEOLOGY ARCHAEOLOGY Pub Date : 2021-09-22 DOI:10.15407/arheologia2021.03.036
Serhii Husiev
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引用次数: 0

摘要

在Trypilla考古文化中广为人知的各种变焦图像清楚地代表了风化期农民的多方面精神世界,尤其是家畜崇拜的传播。虽然在整个Trypilla范围内,从早期到后期,都保留了动物形态的共同特征,但每个区域和存在的时间都有一些独特的特征。他们的研究使我们能够了解动物形象形成和发展的特点、表演方式和风格。重要的是研究动物形象在BII阶段布赫河中部地区Trypilla定居点的各种考古材料中的体现(塑料、陶器、居住模型),并与Trypillaa传播的其他地区相比确定其领土和时间特征。在Voroshylivka、Sosny、Selyshche、Nemyriv和Karolina的定居点,发现最多的塑料制品是家畜雕像,它们是以逼真或风格的方式制作的。被归类为牛科/绵羊的中小型雕像在这里占主导地位。它们有成对的腿、小角和尾巴。有时会模仿乳房或阴茎,表示动物(牛、公牛)的性别。特别令人感兴趣的是小雕像和变焦碗,它们的耦合腿上有交叉孔。它们可能是用轮子补充的,并在仪式中用作可移动的雕像。常见的是四条腿上有角头和尾巴的动物形碗,以及四条腿上独特的椭圆形或矩形碗,让人想起牛的喂食槽。它们被画成一个动物形状的装饰物,类似于动物的脊椎或皮毛。值得注意的是,在中布赫当地群体的餐具上没有发现Trypilla文化其他地区已知的“狗”、“鹿”或“鸟”饰品。烹饪用具上也有缩放的特征。罐子底部有四条腿,边缘卡着小角头。这种动物形态可以追溯到Voroshylivka的一个著名住宅模型上,该模型的前墙和后墙上方的屋顶木材设计得像家畜的角。考虑到这个模型有四条高腿,可以合理地假设它可以用于纪念住宅和牲畜的仪式。对中布赫地方群体Trypilla BII阶段定居点的变焦图像的综合分析表明,乌克兰右岸古代农业人口的意识形态观点发展存在一些地区差异和总体趋势。动物,尤其是牛的形象,深深地渗透到了Trypilla文化持有者的意识中,对角牛的崇拜成为他们意识形态的主导之一。
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Zoomorphic Images of the BII Stage Trypillia Settlements in the Middle Buh River Region
Widely known in Trypillia archaeological culture various zoomorphic images clearly represent multisided spiritual world of farmers of Eneolithic period, in particular the spread of domestic animals cult. While retaining common features of zoomorphism throughout the whole range of Trypillia, from the early to later stages, there are certain distinctive features for each region and time of existence. Their study allows us to understand the peculiarities of formation and development of the animal image, manners and styles of its performance. It is important to study the embodiments of the animal image in various types of archaeological materials of Trypillia settlements of the Middle Buh River region at BII stage (plastics, pottery, dwelling models) and determine the territorial and temporal features in comparison with other areas of the Trypillia spread. At the settlements of Voroshylivka, Sosny, Selyshche, Nemyriv and Karolina, the most found plastic items are statuettes of domestic animals, which were made in realistic or stylistic manners. Small and medium-sized figurines, which are classified as bovidae/ovis, dominate here. They had paired legs, small horns and a tail. Sometimes an udder or a penis was imitated, indicating the sex of the animal (cow, bull). Of particular interest are the statuettes and zoomorphic bowls, which had cross holes in their coupled legs. It is possible that they were supplemented with wheels and used in rituals as movable figurines. Common are zoomorphic bowls on four legs with a horned head and a tail on rims, as well as peculiar oval or rectangular bowls on four legs, reminiscent of cattle feeding troughs. They were painted in a zoomorphic ornament, resembling the spine or fur of an animal. It is important to note that no “dog”, “deer” or “bird” ornaments, known in other regions of the Trypillia culture, have been found on the tableware of the Middle Buh local group. There are also zoomorphic features on the cooking ware. The pots had four legs on the bottoms, and small horned heads were stuck on the rims. The zoomorphism can be traced on a well-known dwelling model from Voroshylivka, where the roof timbers above the front and back walls are designed like the horns of a domestic animal. Considering that the model had four high legs, it is reasonable to assume that it could have been used in rituals honoring the dwelling and livestock. The comprehensive analysis of zoomorphic images from the settlements of the Trypillia BII stage of the Middle Buh local group showed some regional differences as well as general trends in the development of ideological views of the ancient agricultural population of the Right-Bank Ukraine. The image of animals, especially cattle, deeply penetrated into consciousness of the holders of Trypillia culture, and the cult of the horned bull became one of the leading in their ideology.
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ARCHAEOLOGY
ARCHAEOLOGY ARCHAEOLOGY-
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