查尔斯·威廉姆斯《天堂之战》中的声音与仪式语言

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Aries-Journal for the Study of Western Esotericism Pub Date : 2021-12-10 DOI:10.1163/15700593-20211006
G. Grant
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引用次数: 0

摘要

本研究通过分析声音类型与内容的关系,揭示了查尔斯·威廉姆斯小说中的声音模式与仪式语言之间的联系。本研究的重点是“天之战”,以期对这一环节进行初步探索,为今后的研究奠定可能。就像威廉姆斯的其他小说一样,《天堂之战》充满了他在《玫瑰十字会》和《金色黎明的神秘骑士团》中学到的象征意义和仪式实践。威廉姆斯通过对声音的实验来传达他的仪式体验,这是通过罗曼·雅各布森的“诗意功能”框架来探索的,以确定威廉姆斯可能希望声音如何为读者的体验做出贡献。该研究采用数据驱动的方法,探索了声音模式如何与《天堂之战》中的仪式性内容协同工作,发现了擦音和仪式性事件之间的联系。
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Sound and Ritualistic Language in Charles Williams’ War in Heaven
This study uncovers a link between sound patterns and ritualistic language in Charles Williams’ novels through an analysis of the relationship between type of sound and content. The study focuses on War in Heaven with a view to conducting a preliminary exploration into this link, and establishing possibilities for future research. Like Williams’ other novels, War in Heaven is saturated with the symbolism and ritual practices he learned in The Fellowship of the Rosy Cross and, potentially, the Hermetic Order of the Golden Dawn. Williams’ experimentation with sound to convey his experience of ritual is explored through the framework of Roman Jakobson’s “Poetic Function”, to establish how Williams may have intended sound to contribute to the experience of the reader. Using a data driven approach, the study explores how sound patterns work with ritualistic content across War in Heaven, discovering a link between fricative sounds and ritualistic events.
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0.50
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发文量
15
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