帕维尔·维利科夫斯基过程的显著开放性(例如夏季雪小说)

IF 0.1 0 LITERATURE, SLAVIC Slovenska Literatura Pub Date : 2022-07-21 DOI:10.31577/slovlit.2022.69.4.2
Lucia Szabóová
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引用次数: 0

摘要

本文以帕维尔Vilikovský(1941 - 2020)的中篇小说《飞雪》(2014)为研究对象。它采用接受理论的镜头,并展示了所谓的文本空白和不确定的地方的使用(沃尔夫冈伊瑟尔,沃尔夫施密德)。所选文学文本的特殊性主要在于其构成和叙述者。故事被分成短小精悍的段落,以数字和字母为标志:数字表示主题,字母表示叙述的顺序。文本的空白可以从构成、叙述者和隐喻三个层面来识别。读者必须在叙述和文本构成的层面上将涉及意义产生的异质元素均质化。然而,这并不意味着读者可以识别和消除所有的文本空白:即使在阅读全文后,这些空白仍然是反思的对象。本文的目的是(1)展示如何在特定的文学文本中理解不确定性的地方,(2)确定《飞逝的雪》的哪些部分可以被视为不确定性的地方,(3)确定哪些不确定性的地方呈现了文本的关键问题、主题和方面。
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Významová otvorenosť prózy Pavla Vilikovského (na príklade novely Letmý sneh)
The presented paper takes a look at Pavel Vilikovský’s (1941 – 2020) novella Fleeting Snow (2014). It adopts the lens of reception theory and demonstrates the use of the so-called textual gaps and places of indeterminacy (Wolfgang Iser, Wolf Schmid). The selected literary text is specific mainly for its composition and narrator. The story is divided into short and concise segments marked with a number and a letter: The number expresses the theme, the letter the sequence of narration. The textual gaps can be identified at the level of composition, narrator, and metaphor. The reader has to homogenise the heterogeneous elements involved in the production of meaning at the level of narration and composition of the text. However, this does not mean that the reader can identify and remove all textual gaps: these remain objects of reflection even after reading the entire text. The aim of this article is to (1) demonstrate how places of indeterminacy can be understood in a specific literary text, (2) determine which parts of Fleeting Snow can be considered as places of indeterminacy, and (3) determine which places of indeterminacy present the key issues, topics, and aspects of the text.
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来源期刊
Slovenska Literatura
Slovenska Literatura LITERATURE, SLAVIC-
CiteScore
0.20
自引率
0.00%
发文量
57
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