{"title":"艺术批评的未来:客观主义走向电影","authors":"Kyle Barrowman","doi":"10.5325/JAYNRANDSTUD.18.2.0165","DOIUrl":null,"url":null,"abstract":"ABSTRACT:By virtue of an extended consideration of problems and possibilities in the discipline of film studies toward the goal of constructing an Objectivist aesthetics of cinema, this article examines some of the most pressing issues facing contemporary art criticism. Opposing tenets of an Aristotelian aesthetic tradition against tenets of a Kantian aesthetic tradition, the author attempts to resolve a number of long-standing aporias in the Objectivist aesthetics and in the philosophy of art more broadly in the hopes of charting a fruitful path for the future of art criticism.","PeriodicalId":35149,"journal":{"name":"The Journal of Ayn Rand Studies","volume":"18 1","pages":"165 - 228"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"The Future of Art Criticism: Objectivism Goes to the Movies\",\"authors\":\"Kyle Barrowman\",\"doi\":\"10.5325/JAYNRANDSTUD.18.2.0165\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:By virtue of an extended consideration of problems and possibilities in the discipline of film studies toward the goal of constructing an Objectivist aesthetics of cinema, this article examines some of the most pressing issues facing contemporary art criticism. Opposing tenets of an Aristotelian aesthetic tradition against tenets of a Kantian aesthetic tradition, the author attempts to resolve a number of long-standing aporias in the Objectivist aesthetics and in the philosophy of art more broadly in the hopes of charting a fruitful path for the future of art criticism.\",\"PeriodicalId\":35149,\"journal\":{\"name\":\"The Journal of Ayn Rand Studies\",\"volume\":\"18 1\",\"pages\":\"165 - 228\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Journal of Ayn Rand Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/JAYNRANDSTUD.18.2.0165\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Journal of Ayn Rand Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/JAYNRANDSTUD.18.2.0165","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
The Future of Art Criticism: Objectivism Goes to the Movies
ABSTRACT:By virtue of an extended consideration of problems and possibilities in the discipline of film studies toward the goal of constructing an Objectivist aesthetics of cinema, this article examines some of the most pressing issues facing contemporary art criticism. Opposing tenets of an Aristotelian aesthetic tradition against tenets of a Kantian aesthetic tradition, the author attempts to resolve a number of long-standing aporias in the Objectivist aesthetics and in the philosophy of art more broadly in the hopes of charting a fruitful path for the future of art criticism.
期刊介绍：
The Journal of Ayn Rand Studies Foundation has entered into an electronic licensing relationship with EBSCO Publishing, the world"s most prolific aggregator of full-text journals, magazines, and other sources. The full text of The Journal of Ayn Rand Studies can be found on EBSCO Publishing"s databases. A nonpartisan journal devoted to the study of Ayn Rand and her times. The journal is not aligned with any advocacy group, institute, or person. It welcomes papers from every discipline and from a variety of interpretive and critical perspectives. It aims to foster scholarly dialogue through a respectful exchange of ideas. The journal is published semi-annually, in the fall and the spring.
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