{"title":"形式和/或存在方式","authors":"J. Gilbert","doi":"10.1215/00358118-8007950","DOIUrl":null,"url":null,"abstract":"\n This essay focuses on two of the modes of existence posited by AIME, a collaborative project comprising Bruno Latour’s monograph An Inquiry into Modes of Existence and a multiauthored website associated with it. I juxtapose the modes of reference [REF] and fiction [FIC] with a famous digression reflecting on historiographical practice in William of Malmesbury’s Gesta regum Anglorum. AIME offers analytical rigor to medievalists’ discussions of the notorious overlap between “history” and “fiction.” William’s bold use of [FIC] to advance [REF] is in the spirit of AIME’s project, though he goes further in trusting [FIC] than AIME is always willing to do. An instance of medieval historiography thus leads the way in overcoming a residual Modern suspicion of a nonreferential mode of existence and of knowledge. Additionally, although AIME’s restriction of crossings to two modes is useful for defining each, in practice more than two are often found “plaited.” I make this argument through a discussion of the use of brackets to mark verse form and rhyme scheme in medieval manuscripts: an example of [TEC•FIC•REF] plaiting. Finally, I call for further development of the multimodal possibilities of “form,” which AIME flags but does not pursue, and for a new mode of existence to be added to Latour’s list: [FOR].","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"111 1","pages":"27-47"},"PeriodicalIF":0.2000,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Form and/as Mode of Existence\",\"authors\":\"J. Gilbert\",\"doi\":\"10.1215/00358118-8007950\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This essay focuses on two of the modes of existence posited by AIME, a collaborative project comprising Bruno Latour’s monograph An Inquiry into Modes of Existence and a multiauthored website associated with it. I juxtapose the modes of reference [REF] and fiction [FIC] with a famous digression reflecting on historiographical practice in William of Malmesbury’s Gesta regum Anglorum. AIME offers analytical rigor to medievalists’ discussions of the notorious overlap between “history” and “fiction.” William’s bold use of [FIC] to advance [REF] is in the spirit of AIME’s project, though he goes further in trusting [FIC] than AIME is always willing to do. An instance of medieval historiography thus leads the way in overcoming a residual Modern suspicion of a nonreferential mode of existence and of knowledge. Additionally, although AIME’s restriction of crossings to two modes is useful for defining each, in practice more than two are often found “plaited.” I make this argument through a discussion of the use of brackets to mark verse form and rhyme scheme in medieval manuscripts: an example of [TEC•FIC•REF] plaiting. Finally, I call for further development of the multimodal possibilities of “form,” which AIME flags but does not pursue, and for a new mode of existence to be added to Latour’s list: [FOR].\",\"PeriodicalId\":39614,\"journal\":{\"name\":\"Romanic Review\",\"volume\":\"111 1\",\"pages\":\"27-47\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Romanic Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/00358118-8007950\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romanic Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00358118-8007950","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
This essay focuses on two of the modes of existence posited by AIME, a collaborative project comprising Bruno Latour’s monograph An Inquiry into Modes of Existence and a multiauthored website associated with it. I juxtapose the modes of reference [REF] and fiction [FIC] with a famous digression reflecting on historiographical practice in William of Malmesbury’s Gesta regum Anglorum. AIME offers analytical rigor to medievalists’ discussions of the notorious overlap between “history” and “fiction.” William’s bold use of [FIC] to advance [REF] is in the spirit of AIME’s project, though he goes further in trusting [FIC] than AIME is always willing to do. An instance of medieval historiography thus leads the way in overcoming a residual Modern suspicion of a nonreferential mode of existence and of knowledge. Additionally, although AIME’s restriction of crossings to two modes is useful for defining each, in practice more than two are often found “plaited.” I make this argument through a discussion of the use of brackets to mark verse form and rhyme scheme in medieval manuscripts: an example of [TEC•FIC•REF] plaiting. Finally, I call for further development of the multimodal possibilities of “form,” which AIME flags but does not pursue, and for a new mode of existence to be added to Latour’s list: [FOR].
Romanic ReviewArts and Humanities-Arts and Humanities (all)
CiteScore
0.20
自引率
0.00%
发文量
23
期刊介绍:
The Romanic Review is a journal devoted to the study of Romance literatures.Founded by Henry Alfred Todd in 1910, it is published by the Department of French and Romance Philology of Columbia University in cooperation with the Departments of Spanish and Italian. The journal is published four times a year (January, March, May, November) and balances special thematic issues and regular unsolicited issues. It covers all periods of French, Italian and Spanish-language literature, and welcomes a broad diversity of critical approaches.