{"title":"编织集体主义网络——酷情在中国的情感粘合剂:真人秀《x变》分析","authors":"Wei Dong, Margret Lünenborg","doi":"10.1177/13675494231188707","DOIUrl":null,"url":null,"abstract":"This article examines the ways in which kuqing – bitter emotions – are performed, amplified and circulated in the Chinese reality show X-Change (2006–2008). Taking a social relational approach to affect, we understand kuqing as an embodied, socially informed and relationally inscribed affective response to suffering and pain. Building on the historical roots of kuqing, textual and audiovisual analysis is applied to capture its expressions and affective registers in the program. The analysis reveals that, while claiming to reduce the alarming urban–rural divide, the program engages in two juxtaposed and competing affective arrangements. The first recruits kuqing into neoliberal logics and individualistic subjectivity, but is counterproductive in that it reproduces structural class inequalities. The second results in a rearrangement in which kuqing circulates relationally and articulates with Confucian filiality and family ethics, weaving both the rural bitter underclass and the urban middle class into an intersubjective collectivist identity and relationship, thereby strengthening social cohesion and managing social division. Based on the analysis, we offer new insights into relationships between reality TV, power structures and the complex ‘emotional regime’ in a contemporary China challenged by its social ruptures.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":1.9000,"publicationDate":"2023-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Weaving the network of collectivism – Kuqing as affective glue in China: Analyzing the reality show X-Change\",\"authors\":\"Wei Dong, Margret Lünenborg\",\"doi\":\"10.1177/13675494231188707\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the ways in which kuqing – bitter emotions – are performed, amplified and circulated in the Chinese reality show X-Change (2006–2008). Taking a social relational approach to affect, we understand kuqing as an embodied, socially informed and relationally inscribed affective response to suffering and pain. Building on the historical roots of kuqing, textual and audiovisual analysis is applied to capture its expressions and affective registers in the program. The analysis reveals that, while claiming to reduce the alarming urban–rural divide, the program engages in two juxtaposed and competing affective arrangements. The first recruits kuqing into neoliberal logics and individualistic subjectivity, but is counterproductive in that it reproduces structural class inequalities. The second results in a rearrangement in which kuqing circulates relationally and articulates with Confucian filiality and family ethics, weaving both the rural bitter underclass and the urban middle class into an intersubjective collectivist identity and relationship, thereby strengthening social cohesion and managing social division. Based on the analysis, we offer new insights into relationships between reality TV, power structures and the complex ‘emotional regime’ in a contemporary China challenged by its social ruptures.\",\"PeriodicalId\":47482,\"journal\":{\"name\":\"European Journal of Cultural Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":1.9000,\"publicationDate\":\"2023-07-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/13675494231188707\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/13675494231188707","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Weaving the network of collectivism – Kuqing as affective glue in China: Analyzing the reality show X-Change
This article examines the ways in which kuqing – bitter emotions – are performed, amplified and circulated in the Chinese reality show X-Change (2006–2008). Taking a social relational approach to affect, we understand kuqing as an embodied, socially informed and relationally inscribed affective response to suffering and pain. Building on the historical roots of kuqing, textual and audiovisual analysis is applied to capture its expressions and affective registers in the program. The analysis reveals that, while claiming to reduce the alarming urban–rural divide, the program engages in two juxtaposed and competing affective arrangements. The first recruits kuqing into neoliberal logics and individualistic subjectivity, but is counterproductive in that it reproduces structural class inequalities. The second results in a rearrangement in which kuqing circulates relationally and articulates with Confucian filiality and family ethics, weaving both the rural bitter underclass and the urban middle class into an intersubjective collectivist identity and relationship, thereby strengthening social cohesion and managing social division. Based on the analysis, we offer new insights into relationships between reality TV, power structures and the complex ‘emotional regime’ in a contemporary China challenged by its social ruptures.
期刊介绍:
European Journal of Cultural Studies is a major international, peer-reviewed journal founded in Europe and edited from Finland, the Netherlands, the UK, the United States and New Zealand. The journal promotes a conception of cultural studies rooted in lived experience. It adopts a broad-ranging view of cultural studies, charting new questions and new research, and mapping the transformation of cultural studies in the years to come. The journal publishes well theorized empirically grounded work from a variety of locations and disciplinary backgrounds. It engages in critical discussions on power relations concerning gender, class, sexual preference, ethnicity and other macro or micro sites of political struggle.