庞巴斯:林都那达竹器团的音乐活动

M. Arqam, T. Florentinus, Udi Utomo
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引用次数: 0

摘要

本研究揭示了在恩雷康县阿拉区苏米兰村的林都那达竹器团体中,“庞巴斯”作为一种社会交往背景下的音乐活动。本研究是对林都纳达组的庞巴斯进行分析。它采用了跨学科的方法,将社会学学科纳入社会行为范式。研究者采用定性研究方法进行研究。这项研究的数据是从观察、访谈和文献资料中收集的。然后,对数据进行数据约简、数据表示、验证或结论分析。研究结果表明,纳达尔的庞巴斯音乐活动是在排练和舞台表演过程中与外界合作进行的。该活动引发了对庞巴斯的攻击、赞扬、领导、剥夺和厌倦的社会交流。同时,在剧中,庞巴斯产生了与外界的社交互动,作为友谊、满足感和社会地位等内在回报。它的外在回报是物质上的回报。在下一次会议上也有泛化的刺激,在过去的表现取得成功之前也有歧视的刺激。
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Pang Bas : a Musical Activity of Rindu Nada Bamboo Instrumental Group
This research reveals Pang Bas as a musical activity in the context of social exchange in Rindu Nada bamboo instrumental group in Sumillan village, Alla district, Enrekang regency. The research was made to analyze Pang Bas of Rindu Nada group. It used interdisciplinary approach, involving the disciplines of sociology under the paradigm of social behavior. The researcher employed qualitative research method to conduct the research. The data of this research were collected from observation, interview, and documentation. Then, the data were analyzed in data reduction, data presentation, and verification or conclusion. The findings showed that Pang Bas musical activity of Rindu Nada occurred during the rehearsal and stage performance collaborating with external parties. The activity initiated the social exchange causing aggression, praises, leadership, deprivation, and boredom towards Pang Bas. Meanwhile, during the play, Pang Bas generated social interaction to outsiders as intrinsic rewards, such as friendship, satisfaction, and social status. The extrinsic reward of it was a material thing in return. There was also a stimuli of generalization in the next meeting and discrimination prior to the success of past performance.
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0.00%
发文量
3
审稿时长
24 weeks
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