“说出不能说的话”

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM Critical Survey Pub Date : 2023-09-01 DOI:10.3167/cs.2023.350306
Joydeep Chakraborty
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引用次数: 0

摘要

尽管9/11后的元诗歌有效地代表了9/11的批判现实,但到目前为止,还没有对这一诗歌亚类进行一致的学术研究。在这篇文章中,我希望考察三个9/11后的元胚,以达到双方的目的。首先,我想证明,这三首诗通过比许多“迟来的”9/11后诗歌更复杂的元诗歌主体性,展现了语言的危机和再现9/11的困难。其次,我想在分析这些诗歌及其20世纪同行的意识的基础上,提出一个“9·11”后元诗歌理论,以表明元诗歌中危机表征的新的美学阶段。我的文章传达了一个终极信息,即9/11后的元戏剧以一种超越9/11特定事件的方式克服了表现危机,并成为一种在面对任何无法言说的创伤经历时说出无法言说的东西的普遍美学模式。
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‘To Say What Could Not Be Said’
Though post-9/11 metapoetry effectively represents the critical reality of 9/11, there has been no concerted scholarly study of this subgenre of poetry so far. In this article, I wish to examine three post-9/11 metapoems to attain a bipartite aim. First, I want to demonstrate that, through a much more sophisticated metapoetic subjectivity than is found in many ‘belated’ post-9/11 poems, these three poems enact the crisis of language and the difficulty of representing 9/11. Second, I would like to formulate a theory of post-9/11 metapoetry based on the analysis of these poems and the consciousness of their twentieth-century counterparts to indicate a new aesthetic stage in the representation of crisis in metapoems. My article conveys the ultimate message that post-9/11 metapoetry overcomes the crisis of representation in a way that transcends the particular event of 9/11 and becomes a general aesthetic mode of speaking the unspeakable in the face of any ineffable traumatic experience.
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来源期刊
Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
CiteScore
0.20
自引率
0.00%
发文量
40
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