{"title":"我的想象力。Percorsi di ricerca sulle nuve formme di soggettiviten =表演的意象。主体性新形式的研究路径","authors":"Valentina Cremonesini","doi":"10.1285/I22840753N19P31","DOIUrl":null,"url":null,"abstract":"The research path I am presenting here focuses on an analysis of the imagery of the \"Performance Society\". This phrase is to be meant as the overall (re)-configuration of contemporary society. A new form of reality, in which the relationship between the individual and society is (re)-thought in market terms, according to a corporate management approach. A generative form of a new anthropology and of a new idea of subjectivity, of performative type. In this essay, the performative subject is investigated resorting to a phenomenological point of view; hence highlighting as \"having to be performative\" is, first and foremost, a norm (and a set of typified meanings) increasingly taken for granted by millions of individuals in the world. In this study, I have analysed some of the most relevant international publications focusing on self-management, namely that set of widely spread formulae which address the need for constant improvement that social actors experience in their daily \"performance\". Moving from this analysis, I have tried to understand how the concept of performative subject is meant and represented, hereby contributing to produce – in the global imagery – more and more typical forms of subjectivity.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"L'immaginario della prestazione.Percorsi di ricerca sulle nuove forme di soggettività = The imagery of performance. Research paths on new forms of subjectivity\",\"authors\":\"Valentina Cremonesini\",\"doi\":\"10.1285/I22840753N19P31\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The research path I am presenting here focuses on an analysis of the imagery of the \\\"Performance Society\\\". This phrase is to be meant as the overall (re)-configuration of contemporary society. A new form of reality, in which the relationship between the individual and society is (re)-thought in market terms, according to a corporate management approach. A generative form of a new anthropology and of a new idea of subjectivity, of performative type. In this essay, the performative subject is investigated resorting to a phenomenological point of view; hence highlighting as \\\"having to be performative\\\" is, first and foremost, a norm (and a set of typified meanings) increasingly taken for granted by millions of individuals in the world. In this study, I have analysed some of the most relevant international publications focusing on self-management, namely that set of widely spread formulae which address the need for constant improvement that social actors experience in their daily \\\"performance\\\". Moving from this analysis, I have tried to understand how the concept of performative subject is meant and represented, hereby contributing to produce – in the global imagery – more and more typical forms of subjectivity.\",\"PeriodicalId\":40441,\"journal\":{\"name\":\"H-ermes-Journal of Communication\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-05-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"H-ermes-Journal of Communication\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1285/I22840753N19P31\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"H-ermes-Journal of Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1285/I22840753N19P31","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMMUNICATION","Score":null,"Total":0}
L'immaginario della prestazione.Percorsi di ricerca sulle nuove forme di soggettività = The imagery of performance. Research paths on new forms of subjectivity
The research path I am presenting here focuses on an analysis of the imagery of the "Performance Society". This phrase is to be meant as the overall (re)-configuration of contemporary society. A new form of reality, in which the relationship between the individual and society is (re)-thought in market terms, according to a corporate management approach. A generative form of a new anthropology and of a new idea of subjectivity, of performative type. In this essay, the performative subject is investigated resorting to a phenomenological point of view; hence highlighting as "having to be performative" is, first and foremost, a norm (and a set of typified meanings) increasingly taken for granted by millions of individuals in the world. In this study, I have analysed some of the most relevant international publications focusing on self-management, namely that set of widely spread formulae which address the need for constant improvement that social actors experience in their daily "performance". Moving from this analysis, I have tried to understand how the concept of performative subject is meant and represented, hereby contributing to produce – in the global imagery – more and more typical forms of subjectivity.