{"title":"版画与绘画，棉花上的花朵350年","authors":"Tirza Westland","doi":"10.1080/1362704X.2022.2113215","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":51687,"journal":{"name":"Fashion Theory-The Journal of Dress Body & Culture","volume":"27 1","pages":"149 - 156"},"PeriodicalIF":0.7000,"publicationDate":"2022-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Print & Paint, 350 Years of Flowers on Cotton\",\"authors\":\"Tirza Westland\",\"doi\":\"10.1080/1362704X.2022.2113215\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":51687,\"journal\":{\"name\":\"Fashion Theory-The Journal of Dress Body & Culture\",\"volume\":\"27 1\",\"pages\":\"149 - 156\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-08-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Fashion Theory-The Journal of Dress Body & Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/1362704X.2022.2113215\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fashion Theory-The Journal of Dress Body & Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1362704X.2022.2113215","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
期刊介绍：
The importance of studying the body as a site for the deployment of discourses is well-established in a number of disciplines. By contrast, the study of fashion has, until recently, suffered from a lack of critical analysis. Increasingly, however, scholars have recognized the cultural significance of self-fashioning, including not only clothing but also such body alterations as tattooing and piercing. Fashion Theory takes as its starting point a definition of “fashion” as the cultural construction of the embodied identity. It provides an interdisciplinary forum for the rigorous analysis of cultural phenomena ranging from footbinding to fashion advertising.
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