都柏林、伦敦和利物浦的国家纪念活动:ANU制作和CoisCéim舞蹈剧院的这些房间

Q2 Social Sciences Journal of Urban Cultural Studies Pub Date : 2021-09-01 DOI:10.1386/jucs_00045_1
Karen E. Till
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引用次数: 0

摘要

文化作品《这些房间》在“百年纪念十年”期间挑战了传统的民族主义战争和叛乱纪念活动。这一系列的戏剧/舞蹈表演、装置和公共宣传项目由爱尔兰和英国政府资助,由总部位于都柏林的ANU Productions和coiscimim Dance Theatre创作,于2016年至2019年在都柏林、伦敦和利物浦这些英国和爱尔兰人口混合的城市举行。关于1916年都柏林复活节起义的零碎、具体的故事,通过亲密的家庭遭遇,传达了爱尔兰工人阶级平民妇女和困惑的年轻英国士兵的观点,这些故事有效地扰乱了英雄叙事。相反,观众被邀请创建临时社区,以“忘记”支持殖民、帝国和国家空间时代的主导概念。作为一种批判性的艺术干预,这些房间在与英国脱欧相关的地缘政治不确定时期提供了更具包容性的“潜在历史”和归属感形式,跨越了政治、社会和时间边界。
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Troubling national commemoration in Dublin, London and Liverpool: ANU Production and CoisCéim Dance Theatre’s These Rooms
The cultural production These Rooms challenged traditional nationalistic commemorations of war and rebellion during the ‘Decade of the Centenaries’. Created by the Dublin-based ANU Productions and CoisCéim Dance Theatre, and funded by the Irish and UK governments, this series of theatre/dance performances, installations and public outreach projects in unconventional urban venues ran from 2016 to 2019 in Dublin, London and Liverpool, cities with mixed British and Irish populations. Fragmentary, embodied stories about the 1916 Easter Rising in Dublin communicated the perspectives of working-class Irish civilian women and confused young British soldiers through intimate domestic encounters that productively disrupted heroic narratives. Audiences were instead invited to create temporary communities of encounter and ‘unlearn’ dominant concepts supporting colonial, imperial and national spaces‐times. As a critical agonistic artistic intervention, These Rooms offered more inclusive ‘potential histories’ and forms of belonging across political, social and temporal borders during the geopolitically uncertain times associated with Brexit.
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来源期刊
Journal of Urban Cultural Studies
Journal of Urban Cultural Studies Social Sciences-Cultural Studies
CiteScore
0.50
自引率
0.00%
发文量
7
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