{"title":"“月亮滑下楼梯/看谁在那里”:填字游戏的诗学和诗学的交叉词","authors":"David Ben-Merre","doi":"10.7560/tsll64201","DOIUrl":null,"url":null,"abstract":"abstract:This article explores the understudied formal, experiential, and historical relationships between crosswords and poetry. Using an illuminating coincidence of names (the poet James Merrill and crossword constructor Patrick Merrell) as indicative of a fundamental experience of language—arbitrariness within a communicative code—I reconsider how the creative impulses and pleasure derived from the cultural and intellectual work of crosswords and poetry touch upon a deeper social consciousness.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"64 1","pages":"115 - 143"},"PeriodicalIF":0.1000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"The Moon Slides Down the Stair / To See Who's There\\\": The Poetics of the Crossword and the Cross Words of Poetics\",\"authors\":\"David Ben-Merre\",\"doi\":\"10.7560/tsll64201\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:This article explores the understudied formal, experiential, and historical relationships between crosswords and poetry. Using an illuminating coincidence of names (the poet James Merrill and crossword constructor Patrick Merrell) as indicative of a fundamental experience of language—arbitrariness within a communicative code—I reconsider how the creative impulses and pleasure derived from the cultural and intellectual work of crosswords and poetry touch upon a deeper social consciousness.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":\"64 1\",\"pages\":\"115 - 143\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll64201\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll64201","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
"The Moon Slides Down the Stair / To See Who's There": The Poetics of the Crossword and the Cross Words of Poetics
abstract:This article explores the understudied formal, experiential, and historical relationships between crosswords and poetry. Using an illuminating coincidence of names (the poet James Merrill and crossword constructor Patrick Merrell) as indicative of a fundamental experience of language—arbitrariness within a communicative code—I reconsider how the creative impulses and pleasure derived from the cultural and intellectual work of crosswords and poetry touch upon a deeper social consciousness.