逃亡中的女巫

IF 0.5 2区 社会学 0 FOLKLORE JOURNAL OF AMERICAN FOLKLORE Pub Date : 2023-01-01 DOI:10.5406/15351882.136.539.01
K. Turner, D. Christensen, J. B. Jackson, James Counts Early, A. Horowitz, Portia K. Maultsby, Phyllis M. May-Machunda, E. E. Miller, Maribel L. Alvarez, C. Benedetti, V. Bold, Tina Bucuvalas, Leigh H. Edwards, Martha González, M. Jackson, J. Jorgensen, J. Leary, J. Niles, Christine Elyse Blythe
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引用次数: 1

摘要

摘要:根据洞察力传奇的惯例,作家们一直将法国的尼古拉斯·阿佩尔塑造为“罐头之父”,并称赞他是一位创新天才,在19世纪初实现了对新鲜稳定食物的长期渴望。然而,一个多世纪前,一个几乎与“阿片化”相同的过程被广泛实践。此外,与洞察力传说不同,以Appert为中心的历史从未识别出尤里卡!片刻相反,这些起源故事体现了现代工业本身的敏锐眼光。他们摒弃了被编码为女性或存在于特定环境中的知识,塑造了一个自觉的现代企业英雄,崇拜那些有权力和欲望在资本主义体系中商品化、扩张和盈利的人。由于这些叙述将“科学”置于“国内”知识之上,从而最大限度地降低了普及过程的成本,并歪曲了知识的产生和传播方式。
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The Witch in Flight
Abstract:Drawing on conventions of the insight legend, writers have consistently framed France's Nicolas Appert as "the father of canning," celebrating him as an innovative genius who in the early 1800s realized long-standing desires for fresh-yet-stable food. However, a process nearly identical to "appertization" was widely practiced more than a century earlier. Furthermore, unlike insight legends, Appert-centered histories never identify a Eureka! moment. Instead, these origin stories exemplify the perceptive vision of modern industry itself. Discounting knowledge coded as female or lodged in specific contexts, they construct a self-consciously modern corporate hero, holding up for veneration those with the power and desire to commodify, expand, and profit within capitalist systems. As they valorize "scientific" over and against "domestic" knowledge, these narratives minimize the costs of universalizing processes and misrepresent the ways knowledge is produced and circulated.
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来源期刊
CiteScore
1.50
自引率
14.30%
发文量
32
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