舞台配乐：音乐创作作为表演策略和结构

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Open Library of Humanities Pub Date : 2021-11-19 DOI:10.16995/olh.4684

M. Pinchbeck, Ken Egan

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引用次数: 0

摘要

在本文中，我们运用重叠的概念框架来解决我们参与设计的当代表演作品，从戏剧和结构的角度探索古典音乐的表现和利用。它结合了后戏剧剧院(Lehmann, 2006)，作曲剧院(Rebstock and Roesner, 2012)和配乐剧院(Spagnolo, 2017)，以揭示我们的表演实践如何投资于古典音乐的语言，礼仪和作曲原则。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Staging Scores: Musical composition as strategy and structure of performance

In this article, we deploy overlapping conceptual frameworks to address contemporary performance work we were involved in devising, which explored the representation and utilisation of classical music from a theatrical and structural perspective. It combines Postdramatic Theatre (Lehmann, 2006), Composed Theatre (Rebstock and Roesner, 2012) and Score Theatre (Spagnolo, 2017) in order to expose how our performance practices are invested in the language, etiquettes, and compositional principles of classical music.

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来源期刊

Open Library of Humanities HUMANITIES, MULTIDISCIPLINARY-

CiteScore

1.30

自引率

20.00%

发文量

审稿时长

15 weeks

期刊介绍： The Open Library of Humanities is a peer-reviewed, open-access journal open to submissions from researchers working in any humanities'' discipline in any language. The journal is funded by an international library consortium and has no charges to authors or readers. The Open Library of Humanities is digitally preserved in the CLOCKSS archive.