哺乳动物潜水反射中的新的社会契约和数字亲密关系是封锁的解决方案

Nadia Abdelaziz, D. O’donnell
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引用次数: 0

摘要

摘要2021年7月,加拿大表演公司Mammalian Diving Reflex在英国布里斯托尔的当代艺术中心Arnolfini首演了《锁定决议》。该表演结合了虚拟现实(VR)硬件、360°电影和Zoom电话会议,将世界各地的十名“现实生活”(IRL)观众与十名远程观众连接起来。通过对话和身临其境的、以技术为媒介的互动,观众了解了彼此以及三名年轻布里斯托人在封锁期间的生活。基于对虚拟现实和社会动力学的研究,本文考察了《锁定决议》中的人类技术接口,探索了同步性、社会存在性和亲密度对社会凝聚力的影响。制片人Nadia Abdelaziz和Mammalian创始人Darren O'Donnell通过多次真人秀表演考察了社会参与度,他们调查了表演中的数字亲密感及其在创造公民发展机会中的作用。在这项活动的中心,哺乳动物为年轻人创造了引导这些互动的空间。布里斯托尔的年轻演员Chris Lewis(18岁)、Alke Schwarz(19岁)和Germain Loud(21岁)通过一系列研讨会、会议和排练,与当地创意人员共同设计了这场演出。通过深入了解哺乳动物潜水反射的工作方法,我们想象并讨论了通过亲密和沉浸式的数字表演可能创造的新社会契约的公民潜力。
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New social contracts and digital intimacy in mammalian diving reflex’s the lockdown resolution
ABSTRACT In July 2021, Canadian performance company Mammalian Diving Reflex premiered The Lockdown Resolution at Arnolfini, a contemporary art centre in Bristol, UK. Combining virtual reality (VR) hardware, 360° film and Zoom teleconferencing, the performance connected ten ‘in real life’ (IRL) audience members to ten remote audience members around the world. Through conversations and immersive, tech-mediated interaction, audiences found out about each other and the lives of three young Bristolians during lockdown. Drawing on research in VR and social dynamics, this paper examines human-tech interfacing in The Lockdown Resolution, exploring synchrony, social presence and intimacy to social cohesion. Examining social engagement through multiple-reality performance, producer Nadia Abdelaziz and Mammalian Founder Darren O’Donnell investigate digital intimacy in performance and its role in creating an opportunity for civic development. At the centre of this activity, Mammalian create space for young people to lead these interactions. Bristol-based young performers Chris Lewis (18), Alke Schwarz (19) and Germain Loud (21) co-devised the show working with local creatives over a series of workshops, meetings and rehearsals. Offering insight into Mammalian Diving Reflex’s working methods, we imagine and discuss the civic potential of new social contracts that might be created through intimate and immersive digital performance.
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来源期刊
International Journal of Performance Arts and Digital Media
International Journal of Performance Arts and Digital Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.70
自引率
0.00%
发文量
29
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