{"title":"缺席的缺席:ekphrasis和盲目见证","authors":"M. de Silva","doi":"10.1177/14704129211065055","DOIUrl":null,"url":null,"abstract":"The centrality of apparition and disapparition as political manifestation and existential threshold informs enforced disappearance as a political regime that interrupts the existing densities and securities of social visibility in private and public spheres. The author contends that executive power deploys enforced disappearance to amplify its ekphrastic power. However, the latter can be confronted by the ekphrastic testimony of survivors of disappearance as surrogates of those kin who lack embodied presence. Ekphrasis is the creation of an effect upon its auditors that they are actually beholding through sound and/or language what is visually and temporally withdrawn from their present. Enforced disappearance names the extrajudicial ‘abduction and deprivation of liberty’ of individuals and communities by a sovereign that conceals the act, location of the victims, circumstances of their death and their post-mortem disposition. In this article, the author navigates the complex and intertwining agonistic social rhetorics of visibility and invisibility associated with it that collide as historicizing and dehistoricizing forces through competing ekphrastic rhetorics. She examines how ekphrastic witnessing as a form of blind witnessing becomes an affective media of postwar justice in a society that has erased and disavowed its war crimes.","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"20 1","pages":"522 - 542"},"PeriodicalIF":0.4000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The absence of absence: of ekphrasis and blind witnessing\",\"authors\":\"M. de Silva\",\"doi\":\"10.1177/14704129211065055\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The centrality of apparition and disapparition as political manifestation and existential threshold informs enforced disappearance as a political regime that interrupts the existing densities and securities of social visibility in private and public spheres. The author contends that executive power deploys enforced disappearance to amplify its ekphrastic power. However, the latter can be confronted by the ekphrastic testimony of survivors of disappearance as surrogates of those kin who lack embodied presence. Ekphrasis is the creation of an effect upon its auditors that they are actually beholding through sound and/or language what is visually and temporally withdrawn from their present. Enforced disappearance names the extrajudicial ‘abduction and deprivation of liberty’ of individuals and communities by a sovereign that conceals the act, location of the victims, circumstances of their death and their post-mortem disposition. In this article, the author navigates the complex and intertwining agonistic social rhetorics of visibility and invisibility associated with it that collide as historicizing and dehistoricizing forces through competing ekphrastic rhetorics. She examines how ekphrastic witnessing as a form of blind witnessing becomes an affective media of postwar justice in a society that has erased and disavowed its war crimes.\",\"PeriodicalId\":45373,\"journal\":{\"name\":\"Journal of Visual Culture\",\"volume\":\"20 1\",\"pages\":\"522 - 542\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Visual Culture\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/14704129211065055\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/14704129211065055","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
The absence of absence: of ekphrasis and blind witnessing
The centrality of apparition and disapparition as political manifestation and existential threshold informs enforced disappearance as a political regime that interrupts the existing densities and securities of social visibility in private and public spheres. The author contends that executive power deploys enforced disappearance to amplify its ekphrastic power. However, the latter can be confronted by the ekphrastic testimony of survivors of disappearance as surrogates of those kin who lack embodied presence. Ekphrasis is the creation of an effect upon its auditors that they are actually beholding through sound and/or language what is visually and temporally withdrawn from their present. Enforced disappearance names the extrajudicial ‘abduction and deprivation of liberty’ of individuals and communities by a sovereign that conceals the act, location of the victims, circumstances of their death and their post-mortem disposition. In this article, the author navigates the complex and intertwining agonistic social rhetorics of visibility and invisibility associated with it that collide as historicizing and dehistoricizing forces through competing ekphrastic rhetorics. She examines how ekphrastic witnessing as a form of blind witnessing becomes an affective media of postwar justice in a society that has erased and disavowed its war crimes.
期刊介绍:
journal of visual culture is essential reading for academics, researchers and students engaged with the visual within the fields and disciplines of: · film, media and television studies · art, design, fashion and architecture history ·visual culture ·cultural studies and critical theory · gender studies and queer studies · ethnic studies and critical race studies·philosophy and aesthetics ·photography, new media and electronic imaging ·critical sociology ·history ·geography/urban studies ·comparative literature and romance languages ·the history and philosophy of science, technology and medicine