缺席的缺席:ekphrasis和盲目见证

IF 0.4 4区 社会学 0 ART Journal of Visual Culture Pub Date : 2021-12-01 DOI:10.1177/14704129211065055
M. de Silva
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引用次数: 0

摘要

幻影和消失作为政治表现和存在门槛的中心地位,为强迫失踪作为一种政治制度提供了信息,这种政治制度中断了私人和公共领域现有的社会知名度密度和安全性。提交人认为,行政权力利用强迫失踪来扩大其口头权力。然而,后者可能会面临失踪幸存者作为缺乏具体存在的亲属代理人的口头证词。Ekprassis是对其审计师产生的一种影响,即他们实际上通过声音和/或语言看到了从他们现在视觉上和时间上撤回的东西。强迫失踪是指主权国家对个人和社区进行法外“绑架和剥夺自由”,隐瞒行为、受害者的位置、死亡情况及其事后处理。在这篇文章中,作者通过相互竞争的话语修辞,探索了与之相关的可见性和不可见性的复杂而交织的痛苦的社会修辞,它们作为历史化和去历史化的力量发生碰撞。她研究了在一个已经抹去和否认战争罪行的社会中,作为一种盲目见证形式的口头见证是如何成为战后正义的情感媒介的。
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The absence of absence: of ekphrasis and blind witnessing
The centrality of apparition and disapparition as political manifestation and existential threshold informs enforced disappearance as a political regime that interrupts the existing densities and securities of social visibility in private and public spheres. The author contends that executive power deploys enforced disappearance to amplify its ekphrastic power. However, the latter can be confronted by the ekphrastic testimony of survivors of disappearance as surrogates of those kin who lack embodied presence. Ekphrasis is the creation of an effect upon its auditors that they are actually beholding through sound and/or language what is visually and temporally withdrawn from their present. Enforced disappearance names the extrajudicial ‘abduction and deprivation of liberty’ of individuals and communities by a sovereign that conceals the act, location of the victims, circumstances of their death and their post-mortem disposition. In this article, the author navigates the complex and intertwining agonistic social rhetorics of visibility and invisibility associated with it that collide as historicizing and dehistoricizing forces through competing ekphrastic rhetorics. She examines how ekphrastic witnessing as a form of blind witnessing becomes an affective media of postwar justice in a society that has erased and disavowed its war crimes.
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来源期刊
CiteScore
2.50
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期刊介绍: journal of visual culture is essential reading for academics, researchers and students engaged with the visual within the fields and disciplines of: · film, media and television studies · art, design, fashion and architecture history ·visual culture ·cultural studies and critical theory · gender studies and queer studies · ethnic studies and critical race studies·philosophy and aesthetics ·photography, new media and electronic imaging ·critical sociology ·history ·geography/urban studies ·comparative literature and romance languages ·the history and philosophy of science, technology and medicine
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