歌剧的延伸:广播、互联网和沉浸

IF 0.3 2区 艺术学 0 MUSIC Contemporary Music Review Pub Date : 2022-07-04 DOI:10.1080/07494467.2022.2087390
Anna Schürmer
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引用次数: 0

摘要

社交距离是2020年疫情的中心词。现在,音乐文化在表演性的“生动性”中蓬勃发展——甚至在古典音乐中,在机械复制时代,现场体验已经成为音乐艺术的核心。同时,音乐的历史可以被解读为一部界限瓦解的历史:从身体(声音)到机械乐器,再到电子扩展。在应对新冠肺炎危机的法规加速下,音乐文化经历了另一次媒体转型,进入了新的虚拟阶段。事实上,危机总是意味着变化和机遇:经济学家称之为“创造性破坏”,艺术家称之为创新。事实上,与加速数字化互动的“社交距离”也具有媒体审美潜力。在新媒体的支持下,这是本文的假设,尤其是当代音乐场景可以形成新的戏剧形式,远远超出经典的单向流:通过实现虚拟参与而不是物理共存。
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The Extensions of Opera: Radio, Internet, and Immersion
Social distancing is a central (un)word of the pandemic year 2020. Now, music culture thrives on performative ‘liveness’—even in classical music, where live experience has become the core of the musical artwork in the age of its mechanical reproduction. At the same time, the history of music can be read as a history of the dissolution of boundaries: from the body (voice), to mechanical instruments, to electronic extensions. Accelerated by regulations in response to the COVID-19 crisis, music culture passes another media transformation, entering new virtual stages. In fact, crisis always implies changes and chances too: economists call it ‘creative destruction’, artists call it innovation. And indeed, ‘social distancing’ in interaction with accelerated digitalisation also holds media-aesthetic potential. With the support of new media, and this is the hypothesis of this essay, the contemporary music scene in particular can form new dramatic forms that go far beyond the classical one-way stream: by enabling virtual participation instead of physical co-presence.
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
48
期刊介绍: Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.
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