莎士比亚《仲夏夜之梦》中的和平主义与表演

IF 0.1 N/A MEDIEVAL & RENAISSANCE STUDIES Explorations in Renaissance Culture Pub Date : 2018-11-28 DOI:10.1163/23526963-04402003
John S. Garrison, Kyle Pivetti
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引用次数: 0

摘要

本文以《仲夏夜之梦》为个案,探讨莎士比亚与和平主义的关系。我们认为,这部剧使用爱情药剂来结束冲突,并暗示在各个竞争领域的平等,它利用了早期关于和平的现代话语以及我们当代的反战话语。我们的灵感来源于伯尼·波士顿的照片《花的力量》和艾伦·金斯伯格的文章,当我们把剧中的精灵想象成“花的孩子”时,这两篇文章首先阐述了这一概念。文章最终认为,莎士比亚的戏剧以及剧中的角色,将爱的力量戏剧化为一种反战争和和平主义的力量。
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Pacifism and Performance in Shakespeare’s A Midsummer Night’s Dream
This essay takes A Midsummer Night’s Dream as a case study for exploring Shakespeare’s relationship to pacifism. We argue that this play, which uses a love potion to end conflict and to suggest parity across various competing spheres, taps into early modern discourses about peace as well our own contemporary anti-war discourses. We take inspiration from Bernie Boston’s photograph “Flower Power” and Allen Ginsberg’s essay that first articulated that notion as we imagine the play’s faeries to be “flower children.” The essay ultimately argues that Shakespeare’s play, as well as its play-within-a-play, dramatize the power of love as an anti-war and pacifist force.
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来源期刊
Explorations in Renaissance Culture
Explorations in Renaissance Culture MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.20
自引率
0.00%
发文量
11
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