{"title":"对电视剧形式诗学和社会诗学的注解","authors":"James Zborowski","doi":"10.1386/jptv_00080_1","DOIUrl":null,"url":null,"abstract":"This article seeks to build a bridge between approaches to television drama that explore form and style, and those that explore realism and representation. It proposes questions which can be applied to any television drama, and reveal meaningful distinctions. The argument is developed\n through comparative analysis of Sally Wainwright’s Happy Valley (2014‐present) and long-running British soap opera Coronation Street (1960‐present).","PeriodicalId":41739,"journal":{"name":"Journal of Popular Television","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Notes towards a formal and social poetics of television drama\",\"authors\":\"James Zborowski\",\"doi\":\"10.1386/jptv_00080_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article seeks to build a bridge between approaches to television drama that explore form and style, and those that explore realism and representation. It proposes questions which can be applied to any television drama, and reveal meaningful distinctions. The argument is developed\\n through comparative analysis of Sally Wainwright’s Happy Valley (2014‐present) and long-running British soap opera Coronation Street (1960‐present).\",\"PeriodicalId\":41739,\"journal\":{\"name\":\"Journal of Popular Television\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Popular Television\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jptv_00080_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Popular Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jptv_00080_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Notes towards a formal and social poetics of television drama
This article seeks to build a bridge between approaches to television drama that explore form and style, and those that explore realism and representation. It proposes questions which can be applied to any television drama, and reveal meaningful distinctions. The argument is developed
through comparative analysis of Sally Wainwright’s Happy Valley (2014‐present) and long-running British soap opera Coronation Street (1960‐present).
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