感知是最公平的:在线粉丝对童话镇邪恶女王的看法

IF 0.6 Q3 COMMUNICATION Communitas Pub Date : 2018-12-17 DOI:10.18820/24150525/comm.v23.14
Natalie le Clue, Janelle Vermaak
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引用次数: 0

摘要

在格林兄弟1812年的民间传说版本的白雪公主故事中,邪恶女王是叙事中的主要对手。然而,随着时间的推移,随着讲故事方法的进步,邪恶女王在被描绘的方式和讲述她的故事的媒介上发生了许多变化。几位学者对这些不断变化的叙事刻画进行了研究,从民间传说到童话故事,其中Zipes(1981;2006)可以说是最突出的。这篇文章探讨了邪恶女王的性格演变和转变如何改变了粉丝的看法。詹金斯的参与文化理论是本文分析的理论基础。选择了几个在线来源进行分析,包括《从前的粉丝博客》和spoilertv.com上的“剧透电视+”页面,因为这些来源提供了一个令人满意的样本,可以反映粉丝对各种观点的看法。从“不喜欢”到“接受”这六个主题来看,文章认为,《从前》电视剧(2011)中人物话语和叙事的发展在粉丝对邪恶女王角色认知的演变中发挥了作用。
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Perception is the fairest of them all: Online fan perception of Once Upon A Time's Evil Queen
In the Brothers Grimm 1812 folklore version of the Snow White story, the Evil Queen is the main antagonist in the narrative. However, over time, as methods of storytelling have advanced, the Evil Queen has undergone numerous transformations in the manner in which she is portrayed and the medium through which her story is presented. Several scholars have undertaken the study of these changing narrative portrayals, from folklore to fairy tale, of which Zipes (1981; 2006) is arguably the most prominent. This article investigates how the Evil Queen’s character evolution and transformation has altered fan perception. Jenkins’ theory of participatory culture serves as the theoretical basis for this analysis. Several online sources, including the Once Upon A Time Fan Blog, and the Spoiler TV Plus page on spoilertv.com, have been selected for analysis, as these provide a satisfactory sample of fans’ perception across a varied spectrum of opinion. At the hand of six themes ranging from “dislike” to “acceptance”, the article argues that the developing discourse and narrative of the character as depicted in the Once upon a time television series (2011) played a role in the evolution of fans’ perception of the character of the Evil Queen.
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Communitas
Communitas COMMUNICATION-
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