{"title":"作为关系的修正:改编Chigozie Obioma的《渔夫》中的寓言","authors":"S. Heinz","doi":"10.1093/adaptation/apaa039","DOIUrl":null,"url":null,"abstract":"\n This essay explores the connection between adaptation and parable in Chigozie Obioma’s debut novel The Fishermen (2015). Obioma’s adaptation of parable revises this narrative form as radically relational. This revision of parable is tied to an equally relational understanding of adaptive processes. Using parable as the frame for its complex mixture of Igbo and Yoruba mythology, Biblical stories, and Greek and Roman myth, among others, enables the novel to reinterpret all these sources in the context of postcolonial Nigeria. This process thereby challenges the belief that we can dispel colonial power structures by simply rejecting canonical stories and their discursive frameworks and it suggests, instead, a notion of identity as relational and transient. Ultimately, the novel proposes an ethics of relationality that can help to re-assess processes of revision and their political and cultural impact.","PeriodicalId":42085,"journal":{"name":"Adaptation-The Journal of Literature on Screen Studies","volume":" ","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/adaptation/apaa039","citationCount":"0","resultStr":"{\"title\":\"Revision as Relation: Adapting Parable in Chigozie Obioma’s The Fishermen\",\"authors\":\"S. Heinz\",\"doi\":\"10.1093/adaptation/apaa039\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This essay explores the connection between adaptation and parable in Chigozie Obioma’s debut novel The Fishermen (2015). Obioma’s adaptation of parable revises this narrative form as radically relational. This revision of parable is tied to an equally relational understanding of adaptive processes. Using parable as the frame for its complex mixture of Igbo and Yoruba mythology, Biblical stories, and Greek and Roman myth, among others, enables the novel to reinterpret all these sources in the context of postcolonial Nigeria. This process thereby challenges the belief that we can dispel colonial power structures by simply rejecting canonical stories and their discursive frameworks and it suggests, instead, a notion of identity as relational and transient. Ultimately, the novel proposes an ethics of relationality that can help to re-assess processes of revision and their political and cultural impact.\",\"PeriodicalId\":42085,\"journal\":{\"name\":\"Adaptation-The Journal of Literature on Screen Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2020-12-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1093/adaptation/apaa039\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Adaptation-The Journal of Literature on Screen Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/adaptation/apaa039\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Adaptation-The Journal of Literature on Screen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/adaptation/apaa039","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Revision as Relation: Adapting Parable in Chigozie Obioma’s The Fishermen
This essay explores the connection between adaptation and parable in Chigozie Obioma’s debut novel The Fishermen (2015). Obioma’s adaptation of parable revises this narrative form as radically relational. This revision of parable is tied to an equally relational understanding of adaptive processes. Using parable as the frame for its complex mixture of Igbo and Yoruba mythology, Biblical stories, and Greek and Roman myth, among others, enables the novel to reinterpret all these sources in the context of postcolonial Nigeria. This process thereby challenges the belief that we can dispel colonial power structures by simply rejecting canonical stories and their discursive frameworks and it suggests, instead, a notion of identity as relational and transient. Ultimately, the novel proposes an ethics of relationality that can help to re-assess processes of revision and their political and cultural impact.