“砖块之间的砂浆”:威利斯·科诺弗和全球爵士乐队

Q3 Arts and Humanities Jazz Perspectives Pub Date : 2017-09-01 DOI:10.1080/17494060.2017.1408479
Brandan P. Buck
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引用次数: 0

摘要

摘要威利斯·康诺弗可以说是前互联网时代最著名的美国人。从1956年到他1996年去世,美国之音广播节目“音乐美国”将流行音乐和爵士乐传播到世界各地的人们生活中。他的计划是美国政府在反对共产主义的斗争中利用爵士乐作为外交工具的更广泛努力的一部分。本文认为,Willis Conover的《音乐美国》成为全球化爵士乐社区的“砖与砖之间的砂浆”,这是一种文化媒介,同时服务于美国的外交政策利益,促进了爵士乐的传播,促进了身体和思想上分离的民族之间的交流。Conover之所以能取得这一成就,是因为他的节目是政府不间断支持、大众广播的力量和商业化唱片公司之间的纽带。本文利用了各种来源,包括美国政府文件、Conover的个人论文、期刊、粉丝信、制作材料以及口述历史和当代采访。
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‘The Mortar Between the Bricks’: Willis Conover and Global Jazz
ABSTRACT Willis Conover was arguably the most famous American in the pre-internet age. This Voice of America radio program, Music U.S.A. beamed popular music and jazz into people's lives all over the world from 1956 to his death in 1996. His program was part of a broader effort on the part of the US government to use jazz as diplomatic tool in their struggle against communism. This paper argues that Willis Conover's Music U.S.A. became the “mortar between the bricks” of the globalized jazz community, a cultural medium which simultaneously served US foreign policy interests, furthered the spread of jazz and fostered communication between physically and ideologically separated peoples. Conover achieved because his program was the nexus between uninterrupted government support, the power of mass radio and commercialized recording companies. This paper makes use of varied sources to include US government documents, Conover’s personal papers, periodicals, fan letters, production materials as well as oral histories and contemporary interviews.
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来源期刊
Jazz Perspectives
Jazz Perspectives Arts and Humanities-Music
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