印刷女神:尼泊尔手稿和早期印刷文化中语言、地点、技术和传播媒介的交叉

IF 0.3 0 LANGUAGE & LINGUISTICS Philological Encounters Pub Date : 2021-07-23 DOI:10.1163/24519197-bja10018
J. V. Birkenholtz
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引用次数: 0

摘要

在19世纪末的尼泊尔,印刷品和大规模复制品的出现标志着尼泊尔文学史以及随之而来的手稿和印刷文化的一个关键的、尚未得到充分研究的结合点。本文采用了尼泊尔流行的Svasthānīvratakathā来阐明构图语言、写作技术、构图或复制地点以及传播媒介之间的关键转变和交叉,这些转变和交叉象征着当地的手稿实践,也是19世纪末和20世纪初尼泊尔新兴印刷文化的典范。Svasthānī传播的做法和参与者在多个层面上将文本从私人的国内领域转移到了公共的跨地方领域。正如一个活生生的虔诚传统所证明的那样,关注这些转变标志着重大的发展和交叉,加深了我们对尼泊尔和南亚文学景观中不断变化的语言、技术、地理文化和社会经济方面的了解。
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Printing the Goddess: Intersections of Language, Place, Technology, and Agents of Transmission in Nepali Manuscript and Early Print Culture
In late nineteenth-century Nepal, the advent of print and mass reproduction marked a critical and as yet understudied junction in Nepal’s literary history and attendant manuscript and print cultures. This article employs Nepal’s popular Svasthānīvratakathā to illuminate key shifts and intersections between language of composition, technologies of writing, places of composition or reproduction, and the agents of transmission that are emblematic of local manuscript practices and paradigmatic of the emergent print culture in late nineteenth- and early twentieth-century Nepal. The practices and actors involved in Svasthānī transmission shifted the text away from the private, domestic sphere to the public, translocal realm on multiple levels. Attending to these shifts as evidenced in one living devotional tradition indexes significant developments and intersections that deepen our knowledge of the changing linguistic, technological, geocultural, and socioeconomic aspects of the literary landscape in Nepal and South Asia more broadly.
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来源期刊
Philological Encounters
Philological Encounters Arts and Humanities-Language and Linguistics
CiteScore
0.70
自引率
0.00%
发文量
13
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