在同伴艺术治疗(PATh)小组中创造“艺术同行”:培养联系和信任,并应对权力动态

IF 2.3 Q2 PSYCHOLOGY, CLINICAL International Journal of Art Therapy: Inscape Pub Date : 2023-04-03 DOI:10.1080/17454832.2023.2175002
Mahlie Jewell, Catherine E Camden-Pratt
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引用次数: 2

摘要

摘要背景:在同行艺术治疗小组中创造“艺术同行”:联系、信任和权力动态。实践背景:在线、私人实践;以同伴为中心的PATh小组和与LGBTQA内部人员的PATh团体 + 社区面对面,非政府组织;癌症患者艺术治疗小组。方法:同行艺术治疗师进入治疗空间的同时,他们自己的心理健康挑战的生活体验。在PATh,艺术治疗师与团体艺术治疗的参与者一起创作艺术。结果:通过与同行艺术治疗师一起创作艺术,治疗师可以展示对幸存精神疾病经历的具体理解和建模,并为当前有困难的参与者提供真实的同理心。对于参与者和治疗师来说,艺术可以是一种相互联系、共同学习、有益的实践。在PATh小组中一起创作艺术可以为参与者创造更安全的空间,并提供有根据的治疗师作为同伴的榜样。结论:与PATh参与者一起创作艺术应用了同行工作和艺术治疗的理解和技能。它打破了传统艺术治疗中治疗师/参与者的权力位置,可以成为参与者和治疗师之间相互关系和联系的过程。研究意义:与参与者和治疗师共同制作了关于PATh小组艺术体验的研究,并在PATh小组中共同制作了“伴侣艺术”、“反思艺术”和艺术的研究,证明了治疗师阐述的生活体验的影响。此外,还需要研究将艺术与PATh模式一起纳入艺术治疗训练。简明语言总结同伴艺术治疗(PATh)是一个用于在艺术治疗和心理健康同伴工作方面受过培训和经验丰富的从业者的框架。同伴工作是指利用我们自己的生活经历来支持同样与他人生活在一起的人,并在我们的空间内保持平等。在我们的语境中,我们特别指的是“心理健康问题的经历”。它结合了这两个领域的理论、技能、任务和实践,与客户并肩工作并对客户做出回应。同行艺术治疗师——包括作者——与客户分享他们自己在心理健康挑战中的个人经历。在这篇文章中,我们讨论了这种方法的实际应用,以及同行艺术治疗师如何与小组中的参与者一起创造“艺术”。这种做法可以使参与者和治疗师都受益,并在双方都在学习的情况下建立牢固的联系关系。我们的文章讨论了这种方法的概念和理论,以及它所产生的积极反应,包括:建立更安全的空间、同伴/角色模型、增强对复杂心理健康挑战的同理心、理解和生存。作者使用了与我们的临床环境一起创作的艺术的个人例子——在线同龄人艺术治疗小组和LGBTIQA同龄人艺术治疗组 + 一家非政府组织的客户和艺术治疗团体,以及癌症患者。我们的工作也消除了治疗师作为艺术治疗实践专家的需求。我们建议未来对同行艺术治疗师与客户一起创作艺术的价值进行多个领域的研究,包括客户和治疗师。
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Creating ‘art-alongside’ in Peer Art Therapy (PATh) groups: nurturing connection and trust, and responding to power dynamics
ABSTRACT Background: Creating ‘art-alongside’ in peer art therapy groups: connection, trust, and power dynamics. Practice Contexts: Online, private practice; peer-focused PATh group and PATh group with people within the LGBTQA + community. Face-to-face, non-government organisation; art therapy groups with people living with cancer. Approach: Peer art therapists enter therapeutic spaces alongside their own Lived Experience of mental-health challenges. In PATh, art therapists create art-alongside participants in group art therapy. Outcomes: Through creating art-alongside peer art therapists can demonstrate embodied understanding of and modelling of surviving mental ill-health experiences as well as deliver authentic empathy for participants with current struggles. Art-alongside can be a mutually-connecting, co-learning, beneficial practice for participants and therapist. Creating art-alongside in PATh groups can create safer spaces for participants and provide grounded therapist-as-peer role modelling. Conclusions: Creating art-alongside participants in PATh applies peer-work and art therapy understandings and skills. It dismantles therapist/participant power locations of traditional art therapy and can be a process of mutuality and connection for participants and therapist. Implications for Research: Co-produced research with participants and therapists on the experience of art-alongside in PATh groups and co-produced research across ‘companion art’, ‘reflection-art’ and art-alongside in PATh, evidencing the impact of therapist-articulated Lived Experience. In addition, research is needed into the inclusion of an art-alongside PATh model in art therapy training. Plain-language summary Peer Art Therapy (PATh) is the framework used for practitioners who are trained and experienced in both art therapy and mental health peer work. Peer work is the practice of using our own Lived Experiences to support someone also living with similar ones and being equals within our spaces. In our context we specifically mean ‘experiences of mental health issues’. It combines the theories, skills, tasks and practices of both fields to work alongside and responsively to clients. Peer art therapists – the authors included – share with clients, aspects of their own personal experiences of living with mental health challenges. In this article, we talk about the practical application of this approach and how peer art therapists create ‘art-alongside’ the participants in their groups. This practice can benefit both the participants and therapists and creates strong connected relationships where both are learning. Our article discusses the concepts and theories of this approach and the positive responses it creates, including: building safer spaces, peer/role modelling, increased empathy for and understanding and survival of complex mental health challenges. The authors use personal examples of art created alongside from our clinical settings – online peer-focussed peer art therapy group and peer art therapy group with LGBTIQA + clients and art therapy groups in a non-government organisation, with people living with cancer. Our work also dismantles the need for therapist as expert in the practice of art therapy. We recommend a number of areas for future research about the value of peer art therapists making art alongside clients - research that includes both clients and therapists.
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