自由与王冠的重量:彼得·摩根《王冠》中的萨特与波伏娃存在主义

IF 0.4 3区 艺术学 0 FILM, RADIO, TELEVISION Film-Philosophy Pub Date : 2023-06-01 DOI:10.3366/film.2023.0232
Gabrielle Pozzo di Borgo
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引用次数: 0

摘要

在这篇文章中,我通过萨特和波伏娃存在主义的视角来审视彼得·摩根的电视剧《王冠》(2016年至今)。我认为,女王伊丽莎白二世的性格在王室中占有特殊的地位,她是一位展现职责和传统与生存自由和真实性相兼容的君主。我还展示了该系列致力于打破王室试图维持的非人道幻想,通过展示王室并不是遥不可及的理想,而是努力超越其异常捆绑的派系的人类。正如《王冠》中所描绘的那样,伊丽莎白女王对自己处境的清醒导致了诚实的反省,消除了任何自欺欺人的企图,从而防止了她陷入恶意。
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Freedom and the Weight of the Crown: Sartrean and Beauvoirian Existentialism in Peter Morgan's The Crown
In this article, I examine Peter Morgan's TV series The Crown (2016–present) through the lens of Sartrean and Beauvoirian existentialism. I argue that the character of Queen Elizabeth II holds a special place in the royal family, as the monarch who demonstrates the compatibility of duty and tradition with existential freedom and authenticity. I also demonstrate the series’ commitment to breaking the illusion of inhumanity that the royal family tries to maintain, by showing that the royals are not out-of-reach ideals, but humans who struggle to transcend their exceptionally binding facticity. As portrayed in The Crown, Queen Elizabeth's lucidity on her situation leads to honest introspection, which dispels any attempt at self-deception, and therefore prevents her from slipping into bad faith.
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来源期刊
Film-Philosophy
Film-Philosophy Multiple-
CiteScore
0.40
自引率
0.00%
发文量
30
审稿时长
52 weeks
期刊最新文献
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