P. Cardì, Felicita Fichera, G. Seminara, Alessandro Solbiati
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引用次数: 0
摘要
本文介绍了SagGEM工作组与作曲家Alessandro Solbiati合作开发的项目“Nuovi approvci per godere la musica d’oggi”(享受当今音乐的新方法)的第一个成果。其目的是通过音乐学和音乐教育学的知识和工具之间的密切互动,以及基于与学生直接互动的实地工作,在20世纪和21世纪的剧目基础上,微调连贯、精心策划的教学模块。特别是,本文重构了对焦吉·利盖蒂、坡的《100节拍器交响曲》和卢克斯·埃捷尔纳的作品所进行的教学活动。这些作品属于匈牙利音乐家的早期成熟,需要听众开发新的感知策略,因为它们是围绕过去被视为次要的音乐参数来构思和构建的,如“纹理”、音色和声音手势。
Nuovi approcci per godere la musica d’oggi. Un progetto didattico
This article presents the first results of the project “Nuovi approcci per godere la musica d’oggi” (New approaches to enjoying today’s music), developed within the SagGEM workgroup with the collaboration of composer Alessandro Solbiati. The aim is to fine-tune coherent, well-planned didactic modules based on the 20th and 21st-century repertory, through very close interaction between the acquired knowledge and tools of musicology and music pedagogy, and field work based on direct interaction with students. In particular, the article reconstructs didactic activities carried out on the compositions of Gyorgy Ligeti, Poeme symphonique pour 100 metronomes and Lux aeterna. These pieces belong to the early maturity of the Hungarian musician, and require that listeners develop new perceptual strategies, since they are conceived and built around music parameters that used to be regarded as secondary, such as ‘texture’, timbre and sound gesture.