{"title":"不同寻常的相似之处:詹妮弗·肯特的《夜莺》、《暴力》和《范德莫尼亚的过去》","authors":"K. Harman","doi":"10.1080/17503175.2020.1756172","DOIUrl":null,"url":null,"abstract":"ABSTRACT Set in mid-1820s Van Diemen’s Land, The Nightingale depicts a dark and disturbing Tasmanian past populated with redcoats, convicts, Aboriginal people, and a few free settlers. Controversial scenes include the repeated rape of a young female convict, the murders of her husband and infant, and the rape and murder of an Aboriginal woman. Uncanny parallels can be drawn between the on-screen experiences of the white female lead, and the violence visited on the bodies of Tasmanian colonial woman Elizabeth Tibbs, her husband, and infant in 1826. After situating the film within its historical context, this paper provides a mimetic reading through elaborating these parallels. It interrogates key points of divergence between these fictional and historical accounts of women’s lives to explore what they reveal about gender, class, race, violence, and justice in colonial Van Diemen’s Land and its depiction in twenty-first century Australia.","PeriodicalId":51952,"journal":{"name":"Studies in Australasian Cinema","volume":"14 1","pages":"35 - 46"},"PeriodicalIF":0.4000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17503175.2020.1756172","citationCount":"2","resultStr":"{\"title\":\"Uncanny parallels: Jennifer Kent’s the Nightingale, violence, and the Vandemonian past\",\"authors\":\"K. Harman\",\"doi\":\"10.1080/17503175.2020.1756172\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Set in mid-1820s Van Diemen’s Land, The Nightingale depicts a dark and disturbing Tasmanian past populated with redcoats, convicts, Aboriginal people, and a few free settlers. Controversial scenes include the repeated rape of a young female convict, the murders of her husband and infant, and the rape and murder of an Aboriginal woman. Uncanny parallels can be drawn between the on-screen experiences of the white female lead, and the violence visited on the bodies of Tasmanian colonial woman Elizabeth Tibbs, her husband, and infant in 1826. After situating the film within its historical context, this paper provides a mimetic reading through elaborating these parallels. It interrogates key points of divergence between these fictional and historical accounts of women’s lives to explore what they reveal about gender, class, race, violence, and justice in colonial Van Diemen’s Land and its depiction in twenty-first century Australia.\",\"PeriodicalId\":51952,\"journal\":{\"name\":\"Studies in Australasian Cinema\",\"volume\":\"14 1\",\"pages\":\"35 - 46\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17503175.2020.1756172\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Australasian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17503175.2020.1756172\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Australasian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17503175.2020.1756172","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Uncanny parallels: Jennifer Kent’s the Nightingale, violence, and the Vandemonian past
ABSTRACT Set in mid-1820s Van Diemen’s Land, The Nightingale depicts a dark and disturbing Tasmanian past populated with redcoats, convicts, Aboriginal people, and a few free settlers. Controversial scenes include the repeated rape of a young female convict, the murders of her husband and infant, and the rape and murder of an Aboriginal woman. Uncanny parallels can be drawn between the on-screen experiences of the white female lead, and the violence visited on the bodies of Tasmanian colonial woman Elizabeth Tibbs, her husband, and infant in 1826. After situating the film within its historical context, this paper provides a mimetic reading through elaborating these parallels. It interrogates key points of divergence between these fictional and historical accounts of women’s lives to explore what they reveal about gender, class, race, violence, and justice in colonial Van Diemen’s Land and its depiction in twenty-first century Australia.