{"title":"规范规范与马克雅的克里斯蒂娜生活叙事形式","authors":"Arvind Thomas","doi":"10.1353/sip.2021.0019","DOIUrl":null,"url":null,"abstract":"Abstract:Composed sometime in the mid- twelfth century, the Life of Christina of Markyate recounts the trials and tribulations faced by an Anglo- Saxon woman who initially takes a vow of virginity to enter into a spiritual marriage with Christ, subsequently takes an oath to escape sexual assault by a bishop, flees an earthly marriage, and eventually founds a priory at Markyate in England. The Life foregrounds Christina’s spiritual, physical, and legal struggles to live by her vow and have it continually legitimized in the face of a marriage forced upon her by her strong- willed parents and their clerical supporters, among others. In a series of ad hoc trials, Christina’s advocates—ranging from a hermit associated with the St Albans monastery to the archbishop of Canterbury—defend the legitimacy of her vow of virginity and deem her coerced marriage with a nobleman invalid. By contrast, Christina’s opponents, who range from her parents to bishops, defend her earthly marriage as valid and disregard her vow of virginity. I contend that questions of norms (such as those pertaining to Christina’s vow, oath, and marriage and their concomitant impact upon her legal status) and questions of narrative (such as the rhetorical strategies by which supporters and detractors of Christina organize and recount details pertaining to her legal status) intersect and interanimate each other in the Life. By uncovering the interrelations between the normative and the narrative in the Life, I further argue that the form of the Life has an “agency” of its own distinct from that of the various characters in the hagiographical text. When we attend to such formal legal and literary devices in the Life in light of both contemporary digests of canon law and school texts on rhetoric, Christina’s individual actions will appear as functions of narrative that both enact and impact the received principles of canon law, especially those pertaining to the vow, oath, and marriage. In making a case for the intersection of normative matters in the Life with the narrative means by which they are expressed, this essay, more generally, participates in the growing body of law and literature studies that treat the literary and the legal as coproductive rather than as hierarchically related.","PeriodicalId":45500,"journal":{"name":"STUDIES IN PHILOLOGY","volume":"118 1","pages":"425 - 458"},"PeriodicalIF":0.2000,"publicationDate":"2021-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/sip.2021.0019","citationCount":"0","resultStr":"{\"title\":\"Canonical Norm and Narrative Form in the Life of Christina of Markyate\",\"authors\":\"Arvind Thomas\",\"doi\":\"10.1353/sip.2021.0019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Composed sometime in the mid- twelfth century, the Life of Christina of Markyate recounts the trials and tribulations faced by an Anglo- Saxon woman who initially takes a vow of virginity to enter into a spiritual marriage with Christ, subsequently takes an oath to escape sexual assault by a bishop, flees an earthly marriage, and eventually founds a priory at Markyate in England. The Life foregrounds Christina’s spiritual, physical, and legal struggles to live by her vow and have it continually legitimized in the face of a marriage forced upon her by her strong- willed parents and their clerical supporters, among others. In a series of ad hoc trials, Christina’s advocates—ranging from a hermit associated with the St Albans monastery to the archbishop of Canterbury—defend the legitimacy of her vow of virginity and deem her coerced marriage with a nobleman invalid. By contrast, Christina’s opponents, who range from her parents to bishops, defend her earthly marriage as valid and disregard her vow of virginity. I contend that questions of norms (such as those pertaining to Christina’s vow, oath, and marriage and their concomitant impact upon her legal status) and questions of narrative (such as the rhetorical strategies by which supporters and detractors of Christina organize and recount details pertaining to her legal status) intersect and interanimate each other in the Life. By uncovering the interrelations between the normative and the narrative in the Life, I further argue that the form of the Life has an “agency” of its own distinct from that of the various characters in the hagiographical text. When we attend to such formal legal and literary devices in the Life in light of both contemporary digests of canon law and school texts on rhetoric, Christina’s individual actions will appear as functions of narrative that both enact and impact the received principles of canon law, especially those pertaining to the vow, oath, and marriage. 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引用次数: 0
摘要
摘要:《马克雅特的克里斯蒂娜的一生》(Life of Christina of Markyate)创作于12世纪中期,讲述了一位盎格鲁-撒克逊女性所面临的考验和磨难,她最初发誓要贞洁,与基督建立精神婚姻,后来发誓要逃避主教的性侵,逃离世俗婚姻,最终在英国马克雅特建了一座修道院。《生命》突出了克里斯蒂娜在精神、身体和法律上的斗争,她要遵守自己的誓言,并在面对意志坚定的父母和他们的牧师支持者等强加给她的婚姻时,不断使其合法化。在一系列特别审判中,克里斯蒂娜的支持者——从与圣奥尔本斯修道院有关联的隐士到坎特伯雷大主教——为她童贞誓言的合法性辩护,并认为她与贵族的强迫婚姻无效。相比之下,克里斯蒂娜的反对者,从她的父母到主教,都认为她的世俗婚姻是有效的,并无视她的童贞誓言。我认为,规范问题(如与克里斯蒂娜的誓言、誓言和婚姻及其对她的法律地位的影响有关的问题)和叙事问题(如克里斯蒂娜的支持者和批评者组织和讲述与她的法律地位有关的细节的修辞策略)在《生活》中相互交叉和互动。通过揭示《生命》中规范性和叙事性之间的相互关系,我进一步认为,《生命》的形式有自己的“代理”,不同于圣徒传记文本中各种人物的代理。当我们根据当代正典法摘要和学校关于修辞的文本,在《生活》中关注这种正式的法律和文学手段时,克里斯蒂娜的个人行为将表现为叙事的功能,既制定又影响了公认的正典法原则,尤其是与誓言、誓言和婚姻有关的原则。为了证明《生活》中的规范性问题与表达它们的叙事手段的交叉,本文更普遍地参与了越来越多的法律和文学研究,这些研究将文学和法律视为共同生产的,而不是等级相关的。
Canonical Norm and Narrative Form in the Life of Christina of Markyate
Abstract:Composed sometime in the mid- twelfth century, the Life of Christina of Markyate recounts the trials and tribulations faced by an Anglo- Saxon woman who initially takes a vow of virginity to enter into a spiritual marriage with Christ, subsequently takes an oath to escape sexual assault by a bishop, flees an earthly marriage, and eventually founds a priory at Markyate in England. The Life foregrounds Christina’s spiritual, physical, and legal struggles to live by her vow and have it continually legitimized in the face of a marriage forced upon her by her strong- willed parents and their clerical supporters, among others. In a series of ad hoc trials, Christina’s advocates—ranging from a hermit associated with the St Albans monastery to the archbishop of Canterbury—defend the legitimacy of her vow of virginity and deem her coerced marriage with a nobleman invalid. By contrast, Christina’s opponents, who range from her parents to bishops, defend her earthly marriage as valid and disregard her vow of virginity. I contend that questions of norms (such as those pertaining to Christina’s vow, oath, and marriage and their concomitant impact upon her legal status) and questions of narrative (such as the rhetorical strategies by which supporters and detractors of Christina organize and recount details pertaining to her legal status) intersect and interanimate each other in the Life. By uncovering the interrelations between the normative and the narrative in the Life, I further argue that the form of the Life has an “agency” of its own distinct from that of the various characters in the hagiographical text. When we attend to such formal legal and literary devices in the Life in light of both contemporary digests of canon law and school texts on rhetoric, Christina’s individual actions will appear as functions of narrative that both enact and impact the received principles of canon law, especially those pertaining to the vow, oath, and marriage. In making a case for the intersection of normative matters in the Life with the narrative means by which they are expressed, this essay, more generally, participates in the growing body of law and literature studies that treat the literary and the legal as coproductive rather than as hierarchically related.
期刊介绍:
Founded in 1903, Studies in Philology addresses scholars in a wide range of disciplines, though traditionally its strength has been English Medieval and Renaissance studies. SIP publishes articles on British literature before 1900 and on relations between British literature and works in the Classical, Romance, and Germanic Languages.