用于评估空间音频方法的多声道麦克风阵列扬声器管弦乐队的录音

IF 1.1 4区 工程技术 Q3 ACOUSTICS Journal of the Audio Engineering Society Pub Date : 2023-01-16 DOI:10.17743/jaes.2022.0059
David Ackermann, Julian Domann, F. Brinkmann, Johannes M. Arend, Martin Schneider, C. Pörschmann, Stefan Weinzier
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引用次数: 0

摘要

对于语音、音乐或其他音频内容的直播,声场的多通道麦克风阵列记录可用于实时呈现和流式传输动态双耳信号。为了对概念上不同的双耳渲染技术进行比较物理和感知评估,需要将影响声音的所有其他因素(如声源的声音辐射、房间声学环境和录音位置)保持不变的录音。为了提供这样的录音,在两个房间里用九个不同的接收器捕捉了一个18声道扬声器管弦乐队的声场,该扬声器管弦乐队由室内管弦乐队的消声录音提供。此外,还记录了每个声源和接收器的脉冲响应。消声音频信号、全扬声器管弦乐队录音和所有测量的脉冲响应都可以以面向空间的声学格式(SOFA 2.1,AES69-2022)格式开放访问。文章介绍了记录过程、处理链以及生成数据库的结构。
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Recordings of a Loudspeaker Orchestra With Multichannel Microphone Arrays for the Evaluation of Spatial Audio Methods
For live broadcasting of speech, music, or other audio content, multichannel microphone array recordings of the sound field can be used to render and stream dynamic binaural signals in real time. For a comparative physical and perceptual evaluation of conceptually different binaural rendering techniques, recordings are needed in which all other factors affecting the sound (such as the sound radiation of the sources, the room acoustic environment, and the recording position) are kept constant. To provide such a recording, the sound field of an 18-channel loudspeaker orchestra fed by anechoic recordings of a chamber orchestra was captured in two rooms with nine different receivers. In addition, impulse responses were recorded for each sound source and receiver. The anechoic audio signals, the full loudspeaker orchestra recordings, and all measured impulse responses are available with open access in the Spatially Oriented Format for Acoustics (SOFA 2.1, AES69-2022) format. The article presents the recording process and processing chain as well as the structure of the generated database.
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来源期刊
Journal of the Audio Engineering Society
Journal of the Audio Engineering Society 工程技术-工程:综合
CiteScore
3.50
自引率
14.30%
发文量
53
审稿时长
1 months
期刊介绍: The Journal of the Audio Engineering Society — the official publication of the AES — is the only peer-reviewed journal devoted exclusively to audio technology. Published 10 times each year, it is available to all AES members and subscribers. The Journal contains state-of-the-art technical papers and engineering reports; feature articles covering timely topics; pre and post reports of AES conventions and other society activities; news from AES sections around the world; Standards and Education Committee work; membership news, patents, new products, and newsworthy developments in the field of audio.
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