Carol Ann Duffy的“站着的裸体女性”

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM Critical Survey Pub Date : 2023-09-01 DOI:10.3167/cs.2023.350301
Adel Sliti
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引用次数: 0

摘要

本文探讨了卡罗尔·安·达菲的诗歌《站着的裸体女性》中裸体摆姿势的潜在吸引力。我的假设是,摆造型的模特/妓女展示了两个身体:实体身体和象征身体。两者之间的相互作用引发了一个意义的过程,艺术不仅仅是一个工作室的作品,而是一个元框架,包含了对社会、文化、自我表征和身份政治的反思。这首诗体现了诗人的实验性写作方法,这种写作方法借鉴了裸体艺术流派、戏剧独白、戏剧和元小说。摆姿势的裸体女性讲述的不仅仅是在工作室里摆姿势的经历,而是对她作为摆姿势模特和写作模特的身体的反思,或者是一种叙事,当这位女性模特取笑资产阶级社会对艺术作品的接受时,她对艺术和社会文化价值观的愤世嫉俗的评论和态度交织在一起。
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Carol Ann Duffy's ‘Standing Female Nude’
The present article addresses the evocative potential of posing nude in Carol Ann Duffy's poem ‘Standing Female Nude’. My assumption is that the posing model/prostitute displays two bodies: the physical body and the signifying body. The interplay between both bodies triggers a process of signification whereby art is not simply a studio production but a meta-frame encapsulating a reflection on society, culture, self-representation and politics of identity. The poem substantiates the poet's experimental method of writing which draws on nude art genre, the dramatic monologue, theatre and metafiction. What the posing female nude recounts is not just experience of posing nude in a studio, but reflections on her body as a posing model and as a writing model or a narrative imbricating in its texture cynical comments and attitudes on artistic and socio-cultural values as the female model pokes fun at the reception of artistic work in the bourgeois society.
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来源期刊
Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
CiteScore
0.20
自引率
0.00%
发文量
40
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