Hangeul字体分类系统改进字体搜索结果相似性的网络结构建议

Q1 Arts and Humanities Archives of Design Research Pub Date : 2023-05-31 DOI:10.15187/adr.2023.05.36.2.145
Jieun Park, Hyojeoung Yang, Aeri Lee, Younghun Jung, S. Lim, Byunghak Ahn
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引用次数: 0

摘要

背景字体是在创作动机和背景下产生的字体。然而,一旦格式化,就不容易指定字体的背景、动机和拟议用途,因为字体一旦被纳入用户的使用目的和环境的上下文中,就会获得新的上下文。字体搜索服务的意义在于,它可以帮助用户从以复杂多样的印象为标志的许多字体中找到适合其预期用途的最佳字体。然而,目前可用的韩国字体搜索服务中应用的字体分类系统使用不同的字体分类标准,这使得用户难以客观判断。此外,随着时间的推移,很难更新大量字体的详细规范,如新的类型、形状和用途,用户也很难获得关于他们正在寻找的字体的准确信息。在字体使用环境和范围不断扩大的情况下,应该改变字体搜索服务,以容纳大量与字体相关的信息,以便用户能够有机地获得必要的信息。意识到这一问题,本研究重新审视了当前字体搜索服务中使用的字体分类系统的问题,并提出了一个新的方向和标准,该系统具有能够有机组合和使用一系列复杂字体分类信息的网络结构。方法采用理论检验和案例分析相结合的方法进行研究。在案例分析中,分析了被选为本研究主题的字体分类系统,以了解其在当前字体搜索服务中的使用情况,并确定将其应用于这些服务时出现的内容问题。检查和案例分析的结果表明,这些问题源于旨在直观呈现各种字体的分类结构。基于这些结果,本研究重点研究了信息传递图类型的“层次结构”和“网络结构”的字体分类系统。前者被定义为当前的字体分类系统,而在后者的情况下,结构是由受不同标准约束的不同信息组的混合和交叉来标记的。考虑到这种差异,本研究比较并确定了层次结构和网络结构之间的差异,并提出了使用网络结构字体分类系统作为当前字体分类系统的替代方案的可能性,以及其设计方向、标准和示例。
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Hangeul Font Classification System Proposal of a Network Structure for Improved Font Search Result Similarity
Background Typefaces are the fonts born out of the motive and context of their creation. Once formatted, however, it is not easy to specify the background, motive, and proposed usage of the fonts, because a typeface acquires a new context once it is incorporated into the context of the user's purpose of use and environment. The font search service is meaningful in that it helps users to find the optimal font for their intended use out of many fonts marked by complicated and diverse impressions. However, font classification systems that are applied in currently available Korean font search services use different font classification standards, making it difficult for users to judge objectively. In addition, it is difficult to update detailed specifications such as new types, shapes, and uses of the numerous fonts that are continuously created and available over time, and it is difficult for users to obtain accurate information about the font that they are looking for. In an ever-expanding font use environment and range, font search services should be changed to accommodate a large amount of font-related information so that users can organically obtain necessary information. Realizing this problem, this study reexamines the problems of font classification systems currently used in font search services and proposes a new direction and standards for the font classification system with a network structure that can organically combine and use a range of complex font classification information. Methods This study was conducted through theoretical examination and case analysis. In the case analysis, the font classification system selected as the subject of this study, was analyzed to find out how it is utilized in the current font search services and to identify content problems that appear when it is applied to those services. The results of the examination and case analysis revealed that these problems originated from the classification structure designed to visually present various fonts. Based on these results, this study focused on the information delivery diagram type of “hierarchical structure” and “network structure” of the font classification system. The former is defined as the current font classification system, and in the case of the latter, the structure is marked by the mixture and intersection of different groups of information that are subject to different standards. With this difference in mind, this study compared and identified the difference between the hierarchical and network structures and proposed the possibility of using the network structure font classification system as an alternative to the current one, as well as its direction of design, standards, and examples.
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来源期刊
Archives of Design Research
Archives of Design Research Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
52
期刊介绍: Archives of Design Research (ADR) is an international journal publishing original research in the field of design, including industrial design, visual communication design, interaction design, space design, and service design. It also invites research outcomes from design-related interdisciplinary fields such as the humanities, arts, technology, society and business. It is an open-access journal, publishing four issues per year. Currently papers are published in both English and Korean with an English abstract. ADR aims to build a strong foundation of knowledge in design through the introduction of basic, applied and clinical research. ADR serves as a venue and platform to archive and transfer fundamental design theories, methods, tools and cases. Research areas covered in the journal include: -Design Theory and its Methodology -Design Philosophy, Ethics, Values, and Issues -Design Education -Design Management and Strategy -Sustainability, Culture, History, and Societal Design -Human Behaviors, Perception, and Emotion -Semantics, Aesthetics and Experience in Design -Interaction and Interface Design -Design Tools and New Media -Universal Design/Inclusive Design -Design Creativity -Design Projects and Case Studies
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