{"title":"调解新封建主义","authors":"Travis Workman","doi":"10.1353/pmc.2021.0003","DOIUrl":null,"url":null,"abstract":"Abstract:This essay discusses contemporary film and media in relation to the political economic concept of neo-feudalism. Questioning the application of a science-fiction dialectics to these media and the tendency to see them as symptoms of the rise of neofascism, the essay rather connects their themes, narratives, and visual styles to Marxist (Dean) and classical (Hudson) discussions of capitalism's transition to neo-feudalism, as well as to the affect of ressentiment as a means of \"governing by debt\" (Lazzarato). It then turns to the films of Bong Joon-ho, including Parasite (2019) and Okja (2017), to show how they critique neo-feudalism while also remaining limited by ressentiment and individual acts of revenge. The final part reads the more complex treatments of identity and performance in Jordan Peele's Us (2019) and Boots Riley's Sorry to Bother You (2018) through the connections they make between neo-feudalism and racial capitalism (Robinson).","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.2000,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mediating Neo-Feudalism\",\"authors\":\"Travis Workman\",\"doi\":\"10.1353/pmc.2021.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay discusses contemporary film and media in relation to the political economic concept of neo-feudalism. Questioning the application of a science-fiction dialectics to these media and the tendency to see them as symptoms of the rise of neofascism, the essay rather connects their themes, narratives, and visual styles to Marxist (Dean) and classical (Hudson) discussions of capitalism's transition to neo-feudalism, as well as to the affect of ressentiment as a means of \\\"governing by debt\\\" (Lazzarato). It then turns to the films of Bong Joon-ho, including Parasite (2019) and Okja (2017), to show how they critique neo-feudalism while also remaining limited by ressentiment and individual acts of revenge. The final part reads the more complex treatments of identity and performance in Jordan Peele's Us (2019) and Boots Riley's Sorry to Bother You (2018) through the connections they make between neo-feudalism and racial capitalism (Robinson).\",\"PeriodicalId\":55953,\"journal\":{\"name\":\"POSTMODERN CULTURE\",\"volume\":\" \",\"pages\":\"-\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-11-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POSTMODERN CULTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/pmc.2021.0003\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POSTMODERN CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/pmc.2021.0003","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract:This essay discusses contemporary film and media in relation to the political economic concept of neo-feudalism. Questioning the application of a science-fiction dialectics to these media and the tendency to see them as symptoms of the rise of neofascism, the essay rather connects their themes, narratives, and visual styles to Marxist (Dean) and classical (Hudson) discussions of capitalism's transition to neo-feudalism, as well as to the affect of ressentiment as a means of "governing by debt" (Lazzarato). It then turns to the films of Bong Joon-ho, including Parasite (2019) and Okja (2017), to show how they critique neo-feudalism while also remaining limited by ressentiment and individual acts of revenge. The final part reads the more complex treatments of identity and performance in Jordan Peele's Us (2019) and Boots Riley's Sorry to Bother You (2018) through the connections they make between neo-feudalism and racial capitalism (Robinson).
期刊介绍：
Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.
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