{"title":"镜堂往事的幽灵","authors":"Anna Boghiguian","doi":"10.1162/artm_a_00305","DOIUrl":null,"url":null,"abstract":"Abstract The heads of states met at the end of World War I to sign the Versailles treaty in 1919 in the Palace's hall of mirrors. This was at the time when Europe was infected with the Spanish flu pandemic that lasted until 1922. The project is a visual narration of the conjunction of these two historical events that have uncanny reverberations in the present: the Versailles treaty has charted the path towards present-day geopolitical crises, and the Spanish flu can be seen as a prelude to the COVID pandemic and its response.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":"10 1","pages":"192-201"},"PeriodicalIF":0.2000,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Ghosts of Past Events in the Hall of Mirrors\",\"authors\":\"Anna Boghiguian\",\"doi\":\"10.1162/artm_a_00305\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The heads of states met at the end of World War I to sign the Versailles treaty in 1919 in the Palace's hall of mirrors. This was at the time when Europe was infected with the Spanish flu pandemic that lasted until 1922. The project is a visual narration of the conjunction of these two historical events that have uncanny reverberations in the present: the Versailles treaty has charted the path towards present-day geopolitical crises, and the Spanish flu can be seen as a prelude to the COVID pandemic and its response.\",\"PeriodicalId\":41203,\"journal\":{\"name\":\"ARTMargins\",\"volume\":\"10 1\",\"pages\":\"192-201\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARTMargins\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/artm_a_00305\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARTMargins","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/artm_a_00305","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Abstract The heads of states met at the end of World War I to sign the Versailles treaty in 1919 in the Palace's hall of mirrors. This was at the time when Europe was infected with the Spanish flu pandemic that lasted until 1922. The project is a visual narration of the conjunction of these two historical events that have uncanny reverberations in the present: the Versailles treaty has charted the path towards present-day geopolitical crises, and the Spanish flu can be seen as a prelude to the COVID pandemic and its response.
期刊介绍：
ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.
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