塔希里

Q1 Arts and Humanities eTropic Pub Date : 2020-08-30 DOI:10.25120/etropic.19.1.2020.3729
Tevaite Rey
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引用次数: 0

摘要

Tewaite Rey的整个存在、她的生活哲学以及她在生活中所经历的所有感受,使她通过自己的艺术作品分享了她对当代波利尼西亚的看法。她的目标是与她作为菲努阿人的孩子所继承的名字和土地共存,并让她的文化遗产在国内外广为人知。这首诗是为“环境艺术实践与愤怒”特刊写的。这两件描绘这首诗的艺术品是受委托参加2019年在法国布雷斯特的西布列塔尼大学举行的展览的。Tewaite Rey通过略微修改这一声望象征的材料和尺寸,用波利尼西亚最具标志性的物品之一的扇子(tahiri)来表达污染的主题。例如,她减少了它的厚度,以说明人类对自然资源施加的巨大压力。这种创造性的挪用鼓励观众思考不同的污染源及其全球影响。
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Tahiri
Tevaite Rey’s whole being, her philosophy of life, and all the feelings she has experienced in her life lead her to share her perspectives on contemporary Polynesia through her artworks. Her aim is to exist with the names and lands she has inherited as a child of the fenua, and to allow her cultural heritage to be known in her homeland and abroad. The poem was written for this special issue on ‘Environmental Artistic Practices and Indigeneity’. The two artworks which illustrate the poem were commissioned for an exhibition that was held at the University of Western Brittany in Brest, France, in 2019. Tevaite Rey addresses the theme of pollution with the fan (tahiri), one of Polynesia’s most iconic objects, by slightly modifying the materials and dimensions of this emblem of prestige. She reduces for example its thickness to illustrate the great pressure exerted by humans on natural resources. This creative appropriation encourages viewers to think about the different sources of pollution and their global impact.
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来源期刊
eTropic
eTropic Arts and Humanities-Literature and Literary Theory
CiteScore
2.00
自引率
0.00%
发文量
27
审稿时长
12 weeks
期刊最新文献
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