“这里不是为防弹少年团的事打扰别人的地方”:视频平台Viki上韩流粉丝的伪同步性和定时评论互动

IF 2.3 2区 文学 Q1 COMMUNICATION Discourse Context & Media Pub Date : 2023-04-01 DOI:10.1016/j.dcm.2023.100686
Miriam A. Locher, Thomas C. Messerli
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引用次数: 2

摘要

Viki.com是一个向国际观众分发亚洲电视的视频流媒体平台,其用户社区使用该网站参与电视剧流。观众不仅仅是被动的消费者,而是以一系列不同的方式进行互动,其中包括使用定时评论(TC)。TC是观众在观看戏剧时发表的评论。后续观众可以在流媒体播放同一集时阅读这些评论。用户可以阅读和回复以前观众的评论,就好像他们是在观看时写的一样(类似于Danmaku)。在我们之前关于Viki TC的工作的基础上,我们将社区主要定义为一个和谐的集体,参与不同文化和语言背景下的艺术品。在这项研究中,我们通过观察TC作者之间的互动,特别是那些构建冲突的TC,来关注伪同步性的创造。我们的语料库由32万条多语言但主要是英语的评论组成。我们使用8930条评论的详尽注释样本来提取和形式化内隐和外显交互的模式,并使用语料库语言学方法在更大的语料库中定位它们。特别关注与情节剧透有关的冲突互动、对共同观众分析和体验技能的判断以及不当的语言使用、对演员外表的负面评论、评论者在戏剧范围外使用粉丝互动空间以及平台的技术使用。这些冲突的互动通常起到平台规范谈判的作用,将观众带入空间的运作方式,因此也可以与社区建设联系起来。我们的研究有助于更好地理解在线粉丝社区规范是如何建立的,以及行为是如何通过互动得到认可或(隐含)宽恕的。通过这种方式,我们既有助于研究在线和异步环境下的互动,也有助于在线粉丝社区的研究。
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“This is not the place to bother people about BTS”: Pseudo-synchronicity and interaction in timed comments by Hallyu fans on the video streaming platform Viki

The community of users on Viki.com, a video streaming platform distributing Asian television to an international audience, use the site to engage with streams of television dramas. Rather than just being passive consumers, viewers interact in a range of different ways, among them the use of Timed Comments (TC). TCs are comments viewers post while viewing dramas. Subsequent viewers can read these comments when streaming the same episode. Users can read and respond to comments by previous viewers as if they were written at the time of watching (similar to Danmaku). Building on our previous work on Viki-TCs, we have framed the community mainly as a harmonious collective engaging with artefacts from a different cultural and linguistic context. In this study, we focus on the creation of pseudo-synchronicity by looking at interactivity between TC writers and in particular on those TCs that construct conflict. Our corpus consists of 320,000 multilingual, but predominantly English comments. We make use of an exhaustively annotated sample of 8,930 comments to extract and formalize patterns of implicit and explicit interaction and locate them in the larger corpus using corpus linguistic methods. Special attention is given to conflictual interaction in connection with plot spoilers, judgments on co-viewers’ analytic and experiential skills and inappropriate language usage, negative comments on actor appearance, commenters using the space for fan interaction outside of the drama-scope and the technical use of the platform. These conflictual interactions often function as negotiations of the platform norms, socialize viewers into how the space works and can thus also be linked to community building. Our study contributes to understanding better how online fan community norms are built and behavior is sanctioned or (implicitly) condoned through interaction. In this way we contribute both to the study of interaction in a context that works online and asynchronously and to the study of online fan communities.

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来源期刊
Discourse Context & Media
Discourse Context & Media COMMUNICATION-
CiteScore
5.00
自引率
10.00%
发文量
46
审稿时长
55 days
期刊最新文献
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