坎迪斯·希尔·蒙哥马利反对遏制

IF 0.3 2区 艺术学 0 ART Art History Pub Date : 2023-03-30 DOI:10.1111/1467-8365.12709
Amy Tobin
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引用次数: 0

摘要

本文聚焦于纽约艺术家和诗人坎迪斯·希尔·蒙哥马利的作品。1979年,希尔·蒙哥马利(Hill Montgomery)将她的作品描述为改变了“我们都生活在其中的封闭”,指出了她实践的社会和政治投资,以及她从在工作室创作艺术到在公共场合制作装置的正式转变,通常是用发现的材料和碎屑。在新保守主义抬头的时刻,她渴望在差异中得到认可和理解,这是对社会和主观修复的投资。我将这种冲动追溯到1979年至1983年间制作的“环境雕塑”、拼贴画和艺术家书籍中,阐明了反对遏制的普遍动力,我认为,这作为一种艺术历史方法也很有启发性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

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Candace Hill-Montgomery, Against Containment

This essay focuses on the work of New York-based artist and poet Candace Hill-Montgomery. In 1979, Hill-Montgomery described her work as changing ‘the containment we all live within’, pointing both to the social and political investments of her practice, and to her formal transition from making art in her studio to making installations in public, often from found materials and detritus. Her desire for recognition and understanding across difference at a moment of rising neo-conservatism was an investment in social and subjective repair. I trace this impulse across ‘environmental sculptures’, collages and artist's books made between 1979 and 1983, articulating a general impetus to be against containment that, I argue, is also instructive as an art-historical method.

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来源期刊
CiteScore
0.70
自引率
20.00%
发文量
51
期刊介绍: Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship, whether on earlier or more recent periods. At the forefront of scholarly enquiry, Art History is opening up the discipline to new developments and to interdisciplinary and cross-cultural approaches.
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