小藏品被铭记:萨米物质文化和史密森学会基于社区的数字化

IF 0.7 Q3 ANTHROPOLOGY Museum Anthropology Pub Date : 2023-09-18 DOI:10.1111/muan.12280
Matthew Magnani, Jelena Porsanger, Sami Laiti, Natalia Magnani, Anne May Olli, Paula Rauhala, Samuel Valkeapää, Eric Hollinger
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引用次数: 0

摘要

158 史密森学会收藏的数百万件物品中,约有56件来自萨米社区。根据所有人的说法,即使以该机构北极藏品的标准来看,一小群藏品也很容易被忽视或被视为微不足道,因为它们是基于关于理想化藏品的根深蒂固的意识形态。本文提出了一种基于社区的方法,利用三维技术参与远程博物馆藏品的收藏,确立了小型藏品对土著社区的潜在潜力。我们展示了一组56件文物不仅记录了复杂的交流和殖民主义历史,而且为学习和交流提供了一个可管理的渠道,以促进博物馆与后代利益相关者之间从个人到社区层面的关系的持续重组。小型收藏远非不完整,不仅可能包含对后代群体有重要意义的材料,而且为产生新形式的土著人发起的平衡互惠提供了基础。
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Small collections remembered: Sámi material culture and community-based digitization at the Smithsonian Institution

Of the 158 million things housed by the Smithsonian Institution, about 56 objects originate from Sámi communities. By all accounts a small group of objects—even by the standards of the Arctic collections at the Institution—it may be easily overlooked or dismissed as insignificant, based on entrenched ideologies about idealized collections. Presenting a community-based methodology for the engagement of distant museum collections using three-dimensional technologies, this article establishes the latent potential of small collections for Indigenous communities. We demonstrate how a group of 56 objects not only chronicles complex histories of exchange and colonialism, but also provides a manageable conduit for learning and exchange to facilitate the continued restructuring of relationships between museums and descendent stakeholders, from the individual to community level. Small collections, far from incomplete, may not only contain materials significant to descendent groups on their own terms, but provide the grounds to generate new forms of Indigenous initiated, balanced reciprocity.

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来源期刊
Museum Anthropology
Museum Anthropology ANTHROPOLOGY-
CiteScore
0.80
自引率
75.00%
发文量
23
期刊介绍: Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.
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