从美学到经验:祈祷观念的改变如何改变了犹太礼拜的声音

IF 0.3 3区 哲学 Q2 HISTORY RELIGION AND AMERICAN CULTURE-A JOURNAL OF INTERPRETATION Pub Date : 2020-01-01 DOI:10.1017/rac.2020.4
Ari Y. Kelman, J. Lockwood
{"title":"从美学到经验:祈祷观念的改变如何改变了犹太礼拜的声音","authors":"Ari Y. Kelman, J. Lockwood","doi":"10.1017/rac.2020.4","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article tracks changes in conceptions of American Jewish congregational prayer music during the second half of the twentieth century, paying specific attention to the late 1960s and early 1970s. During those years, more than fifty albums of new American Jewish synagogue music were released. These drew on the sounds of folk and rock music, and they represented a shift from the sounds of classical cantorial synagogue music. These changes have largely been understood as a shift away from cantorial styles, which emphasized performance and virtuosity, and toward more accessible and more participatory forms of prayer. This article contributes to our understanding of the sounds of American Jewish prayer practices by attending to the larger discourses in which the musical changes were situated. By listening to the music, reading album liner notes, and contemporaneous writings about Jewish prayer music, we discover a shift in descriptions and expectations of how Jewish prayer ought to work, from one that emphasizes the aesthetics of the music to one that emphasizes the experience of the music. We argue that music is one element of a larger shift in how people who made music for congregational prayer understood prayer and how best to engage congregations in that practice.","PeriodicalId":42977,"journal":{"name":"RELIGION AND AMERICAN CULTURE-A JOURNAL OF INTERPRETATION","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/rac.2020.4","citationCount":"0","resultStr":"{\"title\":\"From Aesthetics to Experience: How Changing Conceptions of Prayer Changed the Sound of Jewish Worship\",\"authors\":\"Ari Y. Kelman, J. Lockwood\",\"doi\":\"10.1017/rac.2020.4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article tracks changes in conceptions of American Jewish congregational prayer music during the second half of the twentieth century, paying specific attention to the late 1960s and early 1970s. During those years, more than fifty albums of new American Jewish synagogue music were released. These drew on the sounds of folk and rock music, and they represented a shift from the sounds of classical cantorial synagogue music. These changes have largely been understood as a shift away from cantorial styles, which emphasized performance and virtuosity, and toward more accessible and more participatory forms of prayer. This article contributes to our understanding of the sounds of American Jewish prayer practices by attending to the larger discourses in which the musical changes were situated. By listening to the music, reading album liner notes, and contemporaneous writings about Jewish prayer music, we discover a shift in descriptions and expectations of how Jewish prayer ought to work, from one that emphasizes the aesthetics of the music to one that emphasizes the experience of the music. We argue that music is one element of a larger shift in how people who made music for congregational prayer understood prayer and how best to engage congregations in that practice.\",\"PeriodicalId\":42977,\"journal\":{\"name\":\"RELIGION AND AMERICAN CULTURE-A JOURNAL OF INTERPRETATION\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1017/rac.2020.4\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RELIGION AND AMERICAN CULTURE-A JOURNAL OF INTERPRETATION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/rac.2020.4\",\"RegionNum\":3,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RELIGION AND AMERICAN CULTURE-A JOURNAL OF INTERPRETATION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/rac.2020.4","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0

摘要

本文追踪了20世纪下半叶美国犹太教堂祈祷音乐观念的变化,特别关注了20世纪60年代末和70年代初。在那些年里,发行了50多张新的美国犹太教堂音乐专辑。这些音乐吸收了民谣和摇滚音乐的声音,它们代表了古典犹太教堂唱诗班音乐声音的转变。这些变化在很大程度上被理解为从强调表演和技巧的唱诗班风格转向更容易接受和更参与的祈祷形式。这篇文章有助于我们对美国犹太人祈祷实践的声音的理解,通过参加音乐变化所处的更大的话语。通过听音乐,阅读专辑内页的注释,以及同时代关于犹太祈祷音乐的著作,我们发现了犹太人祈祷应该如何工作的描述和期望的转变,从强调音乐的美学到强调音乐的体验。我们认为,音乐是一个更大的转变的一个因素,人们如何为会众祈祷制作音乐来理解祈祷,以及如何最好地让会众参与这种实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
From Aesthetics to Experience: How Changing Conceptions of Prayer Changed the Sound of Jewish Worship
ABSTRACT This article tracks changes in conceptions of American Jewish congregational prayer music during the second half of the twentieth century, paying specific attention to the late 1960s and early 1970s. During those years, more than fifty albums of new American Jewish synagogue music were released. These drew on the sounds of folk and rock music, and they represented a shift from the sounds of classical cantorial synagogue music. These changes have largely been understood as a shift away from cantorial styles, which emphasized performance and virtuosity, and toward more accessible and more participatory forms of prayer. This article contributes to our understanding of the sounds of American Jewish prayer practices by attending to the larger discourses in which the musical changes were situated. By listening to the music, reading album liner notes, and contemporaneous writings about Jewish prayer music, we discover a shift in descriptions and expectations of how Jewish prayer ought to work, from one that emphasizes the aesthetics of the music to one that emphasizes the experience of the music. We argue that music is one element of a larger shift in how people who made music for congregational prayer understood prayer and how best to engage congregations in that practice.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.40
自引率
25.00%
发文量
7
期刊介绍: Religion and American Culture is devoted to promoting the ongoing scholarly discussion of the nature, terms, and dynamics of religion in America. Embracing a diversity of methodological approaches and theoretical perspectives, this semiannual publication explores the interplay between religion and other spheres of American culture. Although concentrated on specific topics, articles illuminate larger patterns, implications, or contexts of American life. Edited by Philip Goff, Stephen Stein, and Peter Thuesen.
期刊最新文献
Andrew Jackson Davis and Spiritualist Constructions of Religion(s) Cross and Crown™: Trademarks and the Legal Naming of American Religions The Pluralization of Scripture in Early American Protestantism: Competing Bible Translations and the Debate over Universal Salvation, ca. 1700–1780 “I Will Surely Have You Deported:” Undocumenting Clergy Sexual Abuse in an Immigrant Community “Fit to Be a Midwife”: Protestantism, Moral Character, and the State Supervision of Black Lay Midwives, 1931–1946
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1