正义的愚蠢哲学和法律的谜题

P. Goodrich
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引用次数: 17

摘要

当律师在法律文本中使用图像时,它们的法律意义是什么?具体来说,当法律文本印上正义和蒙眼正义的图片时,特别是在16世纪,法律撰写的徽章书籍和教义作品中,那么它们对律师的意义是什么?更具体地说,我们不仅在正义(justtia)上,而且在丘比特(Cupid)、命运(Fortuna)、新郎和被判死刑的人的法律代表上,都发现了眼罩,对它的正确解释是什么?我的回答是,我不会取笑你,也不会让你等太久,从技术上讲,贾斯蒂亚的形象是一个谜,一个法律符号,它的指代物已经被遗忘了我最初的证据,我的文本,我的形象,将是一个自相矛盾的,摘自一篇法律论文,巴塞勒米·阿诺的《法理学》,这是一部法理学的神圣史,于1554年首次出版。我的重点是,在讨论了法律规则的神话来源和神圣的法律解释者之后,立即使用的正义的形象。虽然我要说明的是,这幅画描绘的是贾丝蒂亚站在一个基座上,看见了,对着一群蒙着眼睛的律师朗读一本法律书,这是政治神学中一种自相矛盾的说教和道德上的偏离,但还有一个进一步的
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The Foolosophy of Justice and the Enigma of Law
When lawyers use images in juristic texts, what is their legal meaning? Specifically, when legal texts print pictures of Justice and of Justice blindfolded, as they did particularly in the sixteenth century in legally authored emblem books and works of doctrine, then what is their significance for lawyers? And more specifically still, what is the proper interpretation of the blindfold, which we find not only on Justice (Justitia) but also on juristic representations of Cupid, Fate (Fortuna), bridegrooms, and the condemned? My answer, I will not tease or otherwise keep you waiting, is that the image of Justitia is technically an aenigma iuris, a legal symbol whose referent has been forgotten.2 My initial proof, my text, my image, will be a paradoxical one taken from a legal treatise, Barth6lemy Aneau's Jurisprudentia, a somewhat hagiographical history of jurisprudence first published in 1554. My focus will be on the figure of Justitia used immediately following a textual discussion of mythological sources of legal rule and of the homines sacer, the holy interpreters of law. While I will show that the figure, which pictures Justitia on a pedestal, sighted and reading from a book of the laws to an audience of blindfolded lawyers, is paradoxically a didactic and moralizing excursus in political theology, there is a further
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