“百合之花”:中世纪晚期巴黎的宗教和纹章象征,bibliothÈque nationale de france, ms franÇais 146

IF 0.2 1区 艺术学 0 MUSIC EARLY MUSIC HISTORY Pub Date : 2014-08-29 DOI:10.1017/S0261127913000119
M. Caldwell
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引用次数: 5

摘要

巴黎,法国国家图书馆,MS franais 146 (fr. 146),一份以包含罗马de Fauvel而闻名的手稿,也为寓言“百合之花”的历史提供了重要的贡献,尽管研究不足,或fleur-de-lis - 14世纪神学和法国皇家纹章的中心花卉符号。在中世纪的法国,圣母花在文字和音乐中出现,作为一种象征,能够召唤或被召唤,圣三位一体,圣母玛利亚和美德,所有这些都是为了支持法国的宗教和君主制的福祉。这项研究认为,持续回归到鸢尾花在整个dits,编年史,尤其是福维尔的音乐和文本在146年提供了神圣和纹章象征之间的必要联系,无论是在手稿中,还是在更大的历史发展中,这象征性的花。
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‘FLOWER OF THE LILY’: LATE-MEDIEVAL RELIGIOUS AND HERALDIC SYMBOLISM IN PARIS, BIBLIOTHÈQUE NATIONALE DE FRANCE, MS FRANÇAIS 146
Paris, Bibliothèque nationale de France, MS français 146 (fr. 146), a manuscript well known for its inclusion of the Roman de Fauvel, also provides an important, albeit understudied, contribution to the history surrounding the allegorical ‘flower of the lily’, or fleur-de-lis – a floral symbol central to fourteenth-century theology and French royal heraldry. In medieval France, the fleur-de-lis emerges through text and music as a symbol capable of invoking, and being invoked by, the Holy Trinity, the Virgin Mary and the Virtues, all in the interest of supporting the religious and monarchical well-being of France. This study argues that the persistent return to the fleur-de-lis throughout the dits, the Chronique metrique and most especially the music and text of Fauvel in fr. 146 offers a necessary link between sacred and heraldic symbology both within the manuscript as well as within the larger historical development of this allegorical flower.
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来源期刊
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期刊介绍: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
期刊最新文献
FRIAR WILLIAM HEREBERT’S CAROLS RECONSIDERED PERSPECTIVES FOR LOST POLYPHONY AND RED NOTATION AROUND 1300: MEDIEVAL MOTET AND ORGANUM FRAGMENTS IN STOCKHOLM SERMONS, HOMILIARIES AND PLAINSONG FOR THE NIGHT OFFICE: THE CASE OF STEPHEN THE PROTOMARTYR JOHANNES VETULUS DE ANAGNIA’S PLATONIST MODEL OF MUSICAL TIME A VISION OF THE NEW JERUSALEM: THE TEXT OF STRIGGIO’S ECCE BEATAM LUCEM
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