莱比锡的无名音乐,universitÄtsbibliothek, ms 1492:一个新的版本和翻译

IF 0.2 1区 艺术学 0 MUSIC EARLY MUSIC HISTORY Pub Date : 2014-08-29 DOI:10.1017/S0261127914000011
Edward Nowacki
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引用次数: 0

摘要

本文介绍了一个新的版本和英文翻译的拉丁音乐理论论文匿名传播在莱比锡,Universitätsbibliothek, MS 1492,有时被称为De musica et De transformtransformone specialiter,或简单的索瓦匿名(参考海因里希索瓦的版本出版于1935年)。一篇介绍性的文章证明了论文的重要性,并给出了新版的必要性。它还提出了一个复杂的情况下,日期论文到十一世纪的基础上,口头和概念上的亲和力与其他五篇论文的时代。与1935年的版本相比,这一版本的正字法准确性更高,并纠正了索瓦版本中大约20个彻头彻尾的错误。它还包括Sowa省略的两个嵌入式音调。这篇论文是十一世纪音乐理论状况的重要补充见证。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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THE ANONYMOUS MUSICA IN LEIPZIG, UNIVERSITÄTSBIBLIOTHEK, MS 1492: A NEW EDITION AND TRANSLATION
The article presents a new edition and English translation of the Latin music-theory treatise transmitted anonymously in Leipzig, Universitätsbibliothek, MS 1492, sometimes known as De musica et de transformatione specialiter, or simply the Sowa Anonymous (a reference to Heinrich Sowa's edition published in 1935). An introductory essay justifies the treatise's importance and gives reasons why a new edition is necessary. It also presents a complex case for dating the treatise to the eleventh century based on verbal and conceptual affinities with five other treatises of the era. The edition of the text is done to higher standards of orthographic accuracy than were observed in 1935 and corrects about twenty outright errors in Sowa's edition. It also includes the two embedded tonaries that Sowa omitted. The treatise is a crucial complementary witness to the state of music theory in the eleventh century.
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来源期刊
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期刊介绍: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
期刊最新文献
FRIAR WILLIAM HEREBERT’S CAROLS RECONSIDERED PERSPECTIVES FOR LOST POLYPHONY AND RED NOTATION AROUND 1300: MEDIEVAL MOTET AND ORGANUM FRAGMENTS IN STOCKHOLM SERMONS, HOMILIARIES AND PLAINSONG FOR THE NIGHT OFFICE: THE CASE OF STEPHEN THE PROTOMARTYR JOHANNES VETULUS DE ANAGNIA’S PLATONIST MODEL OF MUSICAL TIME A VISION OF THE NEW JERUSALEM: THE TEXT OF STRIGGIO’S ECCE BEATAM LUCEM
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