{"title":"红衣主教的音乐：教皇宫廷的音乐兴趣约1200–1304年","authors":"J. Gardner","doi":"10.1017/S0261127915000054","DOIUrl":null,"url":null,"abstract":"Abstract The papacy and cardinalate in the period between Innocent III (1198–1216) and Benedict XI (1033–1304) can be shown to have had a wide range of musical interests. Papal inventories, testamentary legacies, chronicles and understudied visual evidence allow the piecing together of a lively and wide-ranging concern with music, liturgy and performance. The development of polyphonic music, the growing popularity of bells, and a lively interest among artists in portraying liturgical ceremonies and musical performance at the behest of their ecclesiastical clientele allow us to form a far more nuanced picture of the musical life of thirteenth-century Rome.","PeriodicalId":42589,"journal":{"name":"EARLY MUSIC HISTORY","volume":"34 1","pages":"97 - 132"},"PeriodicalIF":0.2000,"publicationDate":"2015-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0261127915000054","citationCount":"1","resultStr":"{\"title\":\"THE CARDINALS’ MUSIC: MUSICAL INTERESTS AT THE PAPAL CURIA C. 1200–1304\",\"authors\":\"J. Gardner\",\"doi\":\"10.1017/S0261127915000054\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The papacy and cardinalate in the period between Innocent III (1198–1216) and Benedict XI (1033–1304) can be shown to have had a wide range of musical interests. Papal inventories, testamentary legacies, chronicles and understudied visual evidence allow the piecing together of a lively and wide-ranging concern with music, liturgy and performance. The development of polyphonic music, the growing popularity of bells, and a lively interest among artists in portraying liturgical ceremonies and musical performance at the behest of their ecclesiastical clientele allow us to form a far more nuanced picture of the musical life of thirteenth-century Rome.\",\"PeriodicalId\":42589,\"journal\":{\"name\":\"EARLY MUSIC HISTORY\",\"volume\":\"34 1\",\"pages\":\"97 - 132\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2015-09-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1017/S0261127915000054\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"EARLY MUSIC HISTORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S0261127915000054\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"EARLY MUSIC HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0261127915000054","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
THE CARDINALS’ MUSIC: MUSICAL INTERESTS AT THE PAPAL CURIA C. 1200–1304
Abstract The papacy and cardinalate in the period between Innocent III (1198–1216) and Benedict XI (1033–1304) can be shown to have had a wide range of musical interests. Papal inventories, testamentary legacies, chronicles and understudied visual evidence allow the piecing together of a lively and wide-ranging concern with music, liturgy and performance. The development of polyphonic music, the growing popularity of bells, and a lively interest among artists in portraying liturgical ceremonies and musical performance at the behest of their ecclesiastical clientele allow us to form a far more nuanced picture of the musical life of thirteenth-century Rome.
期刊介绍：
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
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