{"title":"献给法国女王玛丽都铎的音乐书","authors":"John T. Brobeck","doi":"10.1017/S0261127916000024","DOIUrl":null,"url":null,"abstract":"Frank Dobbins in memoriam In 1976 Louise Litterick proposed that Cambridge, Magdalene College, Pepys Library MS 1760 was originally prepared for Louis XII and Anne of Brittany of France but was gifted to Henry VIII of England in 1509. That the manuscript actually was prepared as a wedding gift from Louis to his third wife Mary Tudor in 1514, however, is indicated by its decorative and textual imagery, which mirrors the decoration of a book of hours given by Louis to Mary and the textual imagery used in her four royal entries. Analysis of the manuscript’s tabula and texts suggests that MS 1760 was planned by Louis’s chapelmaster Hilaire Bernonneau (d. 1524) at the king’s behest. The new theory elucidates the content and significance of Gascongne’s twelve-voice canon Ista est speciosa, which appeared beneath an original portrait of Mary Tudor and was intended to mirror the perfection of the Blessed Virgin and her ‘godchild’ Mary.","PeriodicalId":42589,"journal":{"name":"EARLY MUSIC HISTORY","volume":"35 1","pages":"1 - 93"},"PeriodicalIF":0.2000,"publicationDate":"2016-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0261127916000024","citationCount":"0","resultStr":"{\"title\":\"A MUSIC BOOK FOR MARY TUDOR, QUEEN OF FRANCE\",\"authors\":\"John T. Brobeck\",\"doi\":\"10.1017/S0261127916000024\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Frank Dobbins in memoriam In 1976 Louise Litterick proposed that Cambridge, Magdalene College, Pepys Library MS 1760 was originally prepared for Louis XII and Anne of Brittany of France but was gifted to Henry VIII of England in 1509. That the manuscript actually was prepared as a wedding gift from Louis to his third wife Mary Tudor in 1514, however, is indicated by its decorative and textual imagery, which mirrors the decoration of a book of hours given by Louis to Mary and the textual imagery used in her four royal entries. Analysis of the manuscript’s tabula and texts suggests that MS 1760 was planned by Louis’s chapelmaster Hilaire Bernonneau (d. 1524) at the king’s behest. The new theory elucidates the content and significance of Gascongne’s twelve-voice canon Ista est speciosa, which appeared beneath an original portrait of Mary Tudor and was intended to mirror the perfection of the Blessed Virgin and her ‘godchild’ Mary.\",\"PeriodicalId\":42589,\"journal\":{\"name\":\"EARLY MUSIC HISTORY\",\"volume\":\"35 1\",\"pages\":\"1 - 93\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2016-09-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1017/S0261127916000024\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"EARLY MUSIC HISTORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S0261127916000024\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"EARLY MUSIC HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0261127916000024","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
摘要
1976年，路易丝·利特里克提出，剑桥，马格达莱纳学院，佩皮斯图书馆MS 1760最初是为法国的路易十二和布列塔尼的安妮准备的，但在1509年被送给了英格兰的亨利八世。这份手稿实际上是路易在1514年送给他第三任妻子玛丽都铎的结婚礼物，然而，从它的装饰和文字图像可以看出，它反映了路易送给玛丽的一本小时书的装饰，以及她四篇皇室条目中使用的文字图像。对手稿的表格和文本的分析表明，MS 1760是由路易的教堂主人Hilaire Bernonneau(1524年)在国王的命令下计划的。新的理论阐明了加斯康尼的十二声正典Ista est speciosa的内容和意义，它出现在玛丽都铎的原始肖像下面，旨在反映圣母玛利亚和她的“教子”玛丽的完美。
Frank Dobbins in memoriam In 1976 Louise Litterick proposed that Cambridge, Magdalene College, Pepys Library MS 1760 was originally prepared for Louis XII and Anne of Brittany of France but was gifted to Henry VIII of England in 1509. That the manuscript actually was prepared as a wedding gift from Louis to his third wife Mary Tudor in 1514, however, is indicated by its decorative and textual imagery, which mirrors the decoration of a book of hours given by Louis to Mary and the textual imagery used in her four royal entries. Analysis of the manuscript’s tabula and texts suggests that MS 1760 was planned by Louis’s chapelmaster Hilaire Bernonneau (d. 1524) at the king’s behest. The new theory elucidates the content and significance of Gascongne’s twelve-voice canon Ista est speciosa, which appeared beneath an original portrait of Mary Tudor and was intended to mirror the perfection of the Blessed Virgin and her ‘godchild’ Mary.
期刊介绍：
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
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