{"title":"“不给糖就捣蛋!”——库尔特·冯内古特的《上帝保佑你,罗斯沃特先生和闹剧》中的骗子形象","authors":"Ankit Raj, Nagendra Kumar","doi":"10.1080/00144940.2021.2005515","DOIUrl":null,"url":null,"abstract":"In the framing chapter of Slaughterhouse-Five, Kurt Vonnegut recounts what he learned in his Anthropology course at the University of Chicago—that people are essentially the same and that nobody is “ridiculous or bad or disgusting” (7). He further confesses that this is the reason he never writes stories with villains (7). Though largely true, his claim seems debatable if one examines two of his characters—Norman Mushari and Norman Mushari Jr.—the two being the objects of study in this article that propounds an alternate understanding of Vonnegut’s assertion. These characters have startling similarities with the archetypal trickster figure of American Indian myths as commented upon by Joseph Campbell and Carl Jung among others.","PeriodicalId":42643,"journal":{"name":"EXPLICATOR","volume":"79 1","pages":"155 - 159"},"PeriodicalIF":0.2000,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"“Trick or Treat!”: The Trickster Figure in Kurt Vonnegut’s God Bless You, Mr Rosewater and Slapstick\",\"authors\":\"Ankit Raj, Nagendra Kumar\",\"doi\":\"10.1080/00144940.2021.2005515\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the framing chapter of Slaughterhouse-Five, Kurt Vonnegut recounts what he learned in his Anthropology course at the University of Chicago—that people are essentially the same and that nobody is “ridiculous or bad or disgusting” (7). He further confesses that this is the reason he never writes stories with villains (7). Though largely true, his claim seems debatable if one examines two of his characters—Norman Mushari and Norman Mushari Jr.—the two being the objects of study in this article that propounds an alternate understanding of Vonnegut’s assertion. These characters have startling similarities with the archetypal trickster figure of American Indian myths as commented upon by Joseph Campbell and Carl Jung among others.\",\"PeriodicalId\":42643,\"journal\":{\"name\":\"EXPLICATOR\",\"volume\":\"79 1\",\"pages\":\"155 - 159\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-11-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"EXPLICATOR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00144940.2021.2005515\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"EXPLICATOR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00144940.2021.2005515","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
“Trick or Treat!”: The Trickster Figure in Kurt Vonnegut’s God Bless You, Mr Rosewater and Slapstick
In the framing chapter of Slaughterhouse-Five, Kurt Vonnegut recounts what he learned in his Anthropology course at the University of Chicago—that people are essentially the same and that nobody is “ridiculous or bad or disgusting” (7). He further confesses that this is the reason he never writes stories with villains (7). Though largely true, his claim seems debatable if one examines two of his characters—Norman Mushari and Norman Mushari Jr.—the two being the objects of study in this article that propounds an alternate understanding of Vonnegut’s assertion. These characters have startling similarities with the archetypal trickster figure of American Indian myths as commented upon by Joseph Campbell and Carl Jung among others.
期刊介绍:
Concentrating on works that are frequently anthologized and studied in college classrooms, The Explicator, with its yearly index of titles, is a must for college and university libraries and teachers of literature. Text-based criticism thrives in The Explicator. One of few in its class, the journal publishes concise notes on passages of prose and poetry. Each issue contains between 25 and 30 notes on works of literature, ranging from ancient Greek and Roman times to our own, from throughout the world. Students rely on The Explicator for insight into works they are studying.